Category: Movies

Red Dust: Gable and Harlow

Movie Night: Red Dust

“The attraction here isn’t really the cultural relic/curiousity value, it’s the variation of the old man meets woman, they hate each other, they clash with sparkling dialogue and then end up together ’til death they do part. This bit has been done to death in Hollywood’s 100+ year run, but it can be freshened and redeemed if the scriptwriter is up to the job.”

Movie Night: Born Yesterday

“Born Yesterday is pretty fabulous. At least until it sinks in that it’s just as applicable today (especially today!) as it was in 1950. In that year, it could have been warning against the House Un-American Activities Committee, which ultimately wrecked lives, but failed. But today, the movie is depressing when you realize that Broderick Crawford’s Harry Brock is in charge of the country, the Senate and the judiciary and is sitting in the White House tweeting.”

Charles Laughton and Ray Milland in front of the Big Clock

Movie Night: The Big Clock

“Regardless of whether you saw it then as scandalous that such perversions were being exhibited in public theaters or whether you see it now as being stereotypical, offensive and overly focused on white, male, straight actors and queer panics and Italian stereotypes, to wit … offensive!! … there is much to actually be loved here.”

Shirley MacLaine Loves Her Yellow Rolls Royce

Movie Night: The Yellow Rolls Royce

“… this is probably the granddaddy of all product placement movies, far more egregious than even Joan Crawford’s conspicuous scattering of Pepsi bottles in Strait Jacket …”

Sweet Charity Party

Movie Night: Sweet Charity

“The songs and dances, Shirley MacLaine and Cita Rivera, et al, were great; it’s just the stuff in between that is less than satisfying.”

Strait-Jacket 1964

Movie Night: Strait Jacket

“The bonuses here are George Kennedy as a farmhand foreshadowing by 22 years Billy Bob Thornton in 1996’s Swing Blade (“I like them French fried potaters.”), all the Pepsi placement, and Lee Majors in pre-Six Million Dollar Man mode, along with his very hairy chest, fluffily rising and falling just before the axe falls.”

A Cry in the Night, US 1956, From the Ronald Grant Archive. Photo by Mary Evans/Ronald Grant/Everett Collection

Movie Night: A Cry in the Night

“Whatever the novelty of seeing goodie two-shoes Perry Mason as a Peeping Tom/Kidnapper, it’s Carol Veazie who is the standout.”

Jack Weston in The Ritz

Movie Night: The Ritz

“Regardless of whether you saw it then as scandalous that such perversions were being exhibited in public theaters or whether you see it now as being stereotypical, offensive and overly focused on white, male, straight actors and queer panics and Italian stereotypes, to wit … offensive!! … there is much to actually be loved here.”

Movie Night: An American Tragedy

“Basically, amoral social climber from poor background seduces poor factory girl, gets her pregnant, wants to marry a rich socialite and so kills poor factory girl by smashing her in the head with his tennis racket and dumping her body in a lake, fakes a canoe accident, trips self up by being basically an idiot, dies in electric chair after mercy is refused by Governor Charles Evans Hughes.”

Thieves Highway

Movie Night: Thieves’ Highway

“Thieves’ Highway is a classic Noir tale of truckers and apples and greed and sex and San Francisco and California and highways and death.”