“FRICKIN’ HOLY MARY MOTHER OF GOD! JESUS MARY AND JOSEPH! POPE PAUL VI AND ALL THE SAINTS! AND DEAR GOD WHY ARE ALL THESE WOMEN IN EXPENSIVE ULTRASUEDE DRESSES RUNNING UP AND DOWN THE AISLES SCREAMING THEIR FOOL HEADS OFF???!!!!!”
I posted this elsewhere and on Twitter first, but it also belongs here on the Anon-a-Blog.
Why my pew has been empty since 1982: A long thread for anyone who may be interested, et al.Perhaps someone may relate or need to hear. Inspired by @C_Stroop and #EmptyThePews on Twitter.
It starts in 1975. I’m 12. A budding little gay boy. At the C. of the Naz., we get a spiffy little sermon, which runs like this: “Speaking in tongues is evidence of demonic possession!!!” Amens, claps, whistles, “Kill the Devil!”
Fast forward a week later. Someone in charge of our family’s spiritual development decides to follow info bestowed by the Holy Spirit Fairy, an entity which seems to act rather … impetuously. Or at least that was my experience with Him.
The Spirit has moved someone that we must immediately abandon the C. of the Naz., where, remember, I’ve just been told on the authority of the church into which I was born and raised that speaking in tongues is evidence of demonic possession.
[An aside: 12-year-old me had memorized the 1960 Church Manual so I could know how to perform weddings and funerals because … get this … I thought I would become a C. of the Naz. preacher.]
Given a choice about which church to attend would have been lovely. Alas, it was not to be. I was the young, stupid child who couldn’t possibly be trusted to know what was good for him, spiritually speaking. At best, a “baby Christian.” (These buzzwords sound familiar?)
Actually, after just one hour of being exposed to the new church’s … shall we say, bizarreness and cultish overtones … I’m confident I would have scurried back underneath the skirts of the mother church (of the Naz.) if I had a driver’s license and a car. But I didn’t.
So I wasn’t given a choice. Remember the previous sermon, supposedly delivered by a stern God to CotN Leaders possessed of “Utter Sanctification” and who are therefore qualified to speak on subjects Most Weighty: “Speaking in tongues is evidence of demonic possession!”
Again, I was 12 years old. Puberty was dawning. Teenage outrage, hatred of hypocrisy, self-righteousness, inflated sense of injustice, and general all-around questioning and boundary-pushing are imminent. I needed constancy. But the Spirit had spoken and must be obeyed.
The next Sunday, we don’t drive over to be with the sanctified who hate devilish tongue-speaking. Instead, we head straight for the new church, an Assembly of God knockoff/alleged “non-denominational.” “We’re going here from now on,” says Parental Dearest.
What happened the first Sunday at the new church to which we had been led by the Holy Spirit? Well, I’ll set the scene one more time: The previous week, the church of my birth told me speaking in tongues is evidence of demonic possession.
This week? FRICKIN’ HOLY MARY MOTHER OF GOD! JESUS MARY AND JOSEPH! POPE PAUL VI AND ALL THE SAINTS! AND DEAR GOD WHY ARE ALL THESE WOMEN IN EXPENSIVE ULTRASUEDE DRESSES RUNNING UP AND DOWN THE AISLES SCREAMING THEIR FOOL HEADS OFF???!!!!!
Then: The kicker. If I am to understand the main belief point through hours of gibberish, a complete lack of any catechism, no orderly service of any kind, no regular communion, and a multitude of other things, a central belief is this:
“If you do NOT speak in tongues, God is withholding His greatest blessing from you and therefore there is something wrong with you if you don’t immediately babble in tongues in ‘the presence of the Lord.'”
In other words, NOT speaking in tongues was evidence of God withholding his greatest gift from you & you were opening yourself up to … you guessed it, demonic possession. As soon as I hit 16, my pew began to be empty. By 18, only bribery could get me in it. So…bye!
It would take a long thread to describe coming out (yeah, the Spirit got involved there, too), getting away & being an adult in charge of myself & the joys of life since I got myself to #EmptyThePews. Thanks for the inspiration, @C_Stroop and thanks to everyone who read!
Not much can be done about the traffic volume as long as Metro and the State are devoid of ideas or even the hint of wanting to think about possible solutions. Nashville is drowning in traffic, but no one has the will or money to do anything about it.
I don’t write much about Donelson, our little slice of Music City. But here’s a couple of recent exceptions, one sort of optimistic and nice, the other more caustic and negative.
For a bedroom community which has never really had much of an identity, Donelson is currently attempting to remake itself with at least a bit of one.
The Donelson station developments aim to create the 21st century version of the old downtown, which didn’t ever exist here. This new downtown will still be basically a strip mall of businesses, just with a spiffy, fresh new design.
Donelson is like most of the houses in its borders: Buildings from the 1950s whose owners are dying out, so the children and grandchildren are taking over and either selling them or freshening them up. Hopefully, it will result in a more pleasant place to live and breathe in, although there will always be two negatives: Lebanon Pike and its sprawling ugliness and the overhead landing pattern which puts planes low and loud over us as they swing into runways 20 Left and Right.
No one will probably ever be talking or protesting or doing anything about the overhead noise, but at least some folks are doing something about ugliness. We hope there are more positives to come, especially along Lebanon. Not much can be done about the traffic volume as long as Metro and the State are devoid of ideas or even the hint of wanting to think about possible solutions. Nashville is drowning in traffic, but no one has the will or money to do anything about it. Beefing up the Music City Star would help immensely, but that’s also problematic at best.Not much can be done about the traffic volume as long as Metro and the State are devoid of ideas or even the hint of wanting to think about possible solutions. Nashville is drowning in traffic, but no one has the will or money to do anything about it.No one will probably ever be talking or protesting or doing anything about the overhead noise, but at least some folks are doing something about ugliness. We hope there are more positives to come, especially along Lebanon. Not much can be done about the traffic volume as long as Metro and the State are devoid of ideas or even the hint of wanting to think about possible solutions. Nashville is drowning in traffic, but no one has the will or money to do anything about it. Beefing up the Music City Star would help immensely, but that’s also problematic at best.
For the foreseeable future, then, we’ll take some cosmetic change and hope the community’s groups and businesses continue to try to improve the community’s image, at least. Whatever happens will surely be an improvement.
On the other hand, a different hot take: Development around the Donelson Music City Star train station is proceeding apace; two projects are underway to transform the seen-better-days corner of Lebanon and Donelson pikes. The first is Donelson Plaza, to the north of the station; the 1961 building is getting a complete face lift, with the eastern half is being completely rebuilt from scratch to serve as the new Donelson Branch of the Nashville Public Library.
The Plaza will feature the library as well as shops, restaurants and apartments, with the idea being that you can live at the Plaza and walk/bike to the buses/trains at the station and never need a car. No word on whether WeGo will be able to boost bus and train service to the center, or if we’ll see the more probable nightmare scenario of being constantly in ever greater amounts of traffic.
(Side note: Frequently, drivers exiting the station in the evenings are desperate to avoid Lebanon Pike and its intersection with Donelson Pike. So, they use a short, rather asininely-designed (is that a word?) road that heads east out of the parking lot behind Fifty Forward, ending on Donelson and completely avoiding two stoplights and lengthy waits. Only problem: That connector is supposed to be one-way, westbound only. Never mind it’s wide enough for two cars and that someone is just being, well, asinine over it, a police car was sitting there are on the evening commute on a Friday night, just determined to up the asshole quotient and send commuters to add to the chaos and traffic on Lebanon which is stacked up all the way back to downtown. Brilliant, no?
Many cities would just make it a one-way west into the parking lot in the morning, and one-way east out of the parking lot in the evening, but that would be too simple and oh-fend someone. No word on how much a ticket for such common sensical motor vehicle “violations” will set you back, but it’s probably attractive for the city.)
But back to the main event: The 1961 Donelson Plaza was purchased by Holladay Partners, which is developing the 12 acres as a new urban town center—the downtown Donelson never had, and which has been completely abandoned by towns and cities around the country, but we digress. They hope the redo will result in green space, restaurants, retail shops and apartments. Also not mentioned: How much per month will a one-bedroom unit set you back and what will happen to the center’s funky and clunky thrift stores, the bartending school, the bowling alley, etc.? Well, a partner in the developer’s office is on record thusly: “We do have existing tenants leasing and, of course, we will honor these. As people move out and it gets turned over, this will determine our next phase.”
In other words, we’ll let ‘em stay, but we’ll kick ‘em out and jack up the rents and put something high dollar in there as soon as possible so the “wrong” kind of Hippy Donelsonite won’t be shopping there. We must wonder if the plaza will feature the “architectural asshole” designs popping up everywhere: “public” seating that is intentionally so uncomfortable or designed in such a way as to prevent what the British call “rough sleepers,” and we call “homeless,” among other things. Ah well, time will tell.
The developer itself will anchor 14,000 square feet of office space on two levels. What is being displaced for that is another aspect which goes unmentioned.
Meanwhile, diagonally across the intersection and across the tracks menacing the bowling alley is a hulking mass of apartment buildings going up to four stories and packed into a tiny space along the tracks. One wonders how much a one-bedroom in that complex will cost and whether there is any additional sound proofing and plaster and ceiling protection for all the Music City Star trains which rumble through blasting their horns for the Donelson Pike crossing from as early as 7:15 a.m.
No matter, there will be some green space and a pool and you can walk to the train station (if you can summon the courage to cross both Donelson Pike and the railroad tracks. We’ve watched on more than one occasion as some idiot’s sense of self-importance prompted him to weave between the crossing arms with the train’s arrival imminent, speeding on his merry way. If walkers and bikers are now to be added to the mix, well, could get interesting.
The one exit onto Donelson is sure to be a joy as things are brought to a halt by southbound apartment dwellers trying to turn left into the driveway cause backups at 5 p.m. across the tracks and back up to Lebanon. Personally, I wouldn’t risk life and limb to live there, stacked four high in boxes with balconies that feature the fantastic combined noise of KBNA 20L airliner arrivals overhead, Music City Star trains blowing whistles below, and the screaming tires and honking of motorists trapped on the tracks while my neighbors try to make it into their new boxes. It’s not an attractive prospect for me, but what do I know? I’m sure it will all be just fine and dandy when these projects get built out just in time for the next big recessional flop in 2020.
Progress is great and all. But progress via developer is often thoughtless and crude. As far as we can tell, developers won’t be paying for better traffic control near either project and nothing will change in anticipation of the much greater numbers of cars along an already over-stretched section of Lebanon and Donelson pikes. Perhaps all will be well. We’re not going to hold our breath here.
“Whatever the novelty of seeing goodie two-shoes Perry Mason as a Peeping Tom/Kidnapper, it’s Carol Veazie who is the standout.”
[The movie poster for A Cry in the Night. What did "Cert X" mean? Was Perry Mason in an X-rated film?!]
From 1956: A weird flip-flop which is like a Perry Mason episode … because it stars Perry Mason‘s Raymond Burr as a violent voyeur/kidnapper and Perry Mason‘s Richard Anderson (more famous for the Bionic Man/Woman stuff) as one of Burr’s victims. The bonus here is the kidnappee is Natalie Wood.
“When Raymond Burr’s face (grotesquely lighted by John F. Seitz) looms out of the shrubbery at Lovers’ Loop [sic], he adds A Cry in the Night to his long string of films in which he cemented his reputation as the noir cycle’s most indispensable and unforgettable creep. He’s prowling the petting grounds looking for a girl, and doesn’t care how he gets her. Assaulting the male half (Richard Anderson) of a necking couple, he kidnaps the other (Natalie Wood), spiriting her off to a den he’s fixed up in an abandoned brickyard. This time, though, there’s a catch to Burr’s villainy: He’s a dim-witted hulk, a childish monster akin to Lennie in Of Mice And Men. …
“Even less wholesome is Carol Veazie as Burr’s doting, sweet-toothed mother. Managing simultaneously to suggest Dame Judith Anderson, Jean Stapleton and Doris Roberts, she shuffles around drinking coffee in her horse-blanket bathrobe, whining about that missing slice of apricot pie. Nineteen-fifty-six, some may recall, was the high-water mark of a national panic about ‘Momism,’ a threat deemed scarcely less perilous to the republic than the international Communist conspiracy; Veazie endures as one of its most formidable operatives (her successors would include the unseen Mrs. Bates in Psycho, Angela Lansbury’s Mrs. Iselin in The Manchurian Candidate, and Marjorie Bennet’s Dehlia Flagg in Whatever Happened to Baby Jane?).”
The reviewer is right: Whatever the novelty of seeing goodie two-shoes Perry Mason as a Peeping Tom/Kidnapper, it’s Carol Veazie who is the standout. She is indeed freaky-deaky, rattling on about her “something sweet before bed from Baby,” that brought to my mind “It puts the lotion in the basket” dude from Silence of the Lambs. After watching so much Perry Mason over the last year or so, thanks to MeTV (I had never seen an episode of it before), seeing his freaky turn was a bit laughable. But Veazie: Now THAT was truly creepy.
Edmond O’Brien and Brian Donlevy were good as always as the cops, and Irene Hervey was so very 1950s mother that at first I thought she was Jane Wyatt of Father Knows Best, the quintessential 1950s mom. Natalie Wood gave the screaming her best and pre-Perry Mason‘s Richard Anderson competently walked around in a daze.
The weirdest thing in this weird concoction though was the very short subplot of Madge (Mary Lawrence), who is, we can only guess, O’Brien’s sister? Wood’s sister? Who knows? She’s there for a couple of scenes, Hervey says Madge is unhappy because she’s unmarried and then <boom> nothing further happens with her. Weird, weird, weird.
Still, it’s all good clean, dirty fun, that says much about the decade it was made in, as well as being a good example of its genre. Worth a look if you get the chance.
Terence McNally knows how to write ’em:
Capt. Dan Taggart: “I just wanna know what’s bothering Madge.” Helen Taggart: “She isn’t married, that’s what’s bothering her. She’s 37 years old and she isn’t married.”
A Cry in the Night
Boy on Motorcycle: “Sock her again! They love it!”
Capt. Ed Bates: “How do ya tell a guy that his kid has been grabbed?”
Capt. Dan Taggart: “I don’t care about your coffee! Your son has kidnapped my child!”
A Cry in the Night. 1956. TCM. English. Frank Tuttle (d). David Dortort, Whit Masterson (w). Edmond O'Brien, Brian Donlevy, Natalie Wood, Raymond Burr, Richard Anderson, Irene Hervey, Carol Veazie, Mary Lawrence, Herb Vigran. (p). David Buttolph (m). John F. Seitz (c).
“Thieves’ Highway is a classic Noir tale of truckers and apples and greed and sex and San Francisco and California and highways and death.”
["Let me smoke your butt, Nick!" Valentina Cortese and Richard Conte in Thieves' Highway. Take that Bogie and Bacall!]
From 1949: «Thieves’ Highway». We weren’t really planning to watch, but were drawn in immediately. I think we had seen it before, but it’s been a long while. Glad we watched. Ironically, Valentina Cortese just passed away on 10-Jul of this year. Watching her performance here was fitting, and showed just how big of a loss was her passing.
Thieves’ Highway is a classic Noir tale of truckers and apples and greed and sex and San Francisco and California and highways and death. Besides the fabulous Valentina Cortese and Richard Conte, it features Lee J. Cobb in a dress rehearsal for his role in On the Waterfront, Jack Oakie and Millard Mitchell, who would be seen six years later in the classic Singin’ in the Rain, as the movie producer R.F. Simpson.
“Nick Garcos comes back from his tour of duty in World War II planning to settle down with his girlfriend, Polly Faber. He learns, however, that his father was recently beaten and burglarized by mob-connected trucker Mike Figlia, and Nick resolves to get even. He partners with prostitute Rica, and together they go after Mike, all the while getting pulled further into the local crime underworld.”
“Like the movie’s rattletrap trucks lurching down the highway as they carry way-too-heavy loads, the characters in Jules Dassin’s brilliantly volatile Thieves’ Highway struggle under psychological and moral baggage until they can lay their burdens down. Working from a novel and script by A.I. Bezzerides, Dassin made this swift, fluid melodrama in 1949, after Brute Force and The Naked City. … it has a rich sensuality all its own.
… “All the symbols in this movie are rock-hard and understated. The white military star on Nick’s truck makes a mute, omnipresent comment on postwar disillusion. And each time you hear “Golden Delicious,” the image it conjures of Olympian delight contrasts sardonically with the perils of the road and the savage competition of the San Francisco marketplace.”
Michael Sragow, The Criterion Collection
(I love how Sragow introduces Nico: “Garcos … has sailed around the world without ever getting worldly.” HA!)
He then notes the inner workings of the film and places it in context:
“Dassin … is just as deft as Kazan in Boomerang! (1947) or Panic in the Streets (1950) at using real locations for knifelike verisimilitude, then catching their most far-out and surprising emotional repercussions.” … “Dassin begins scenes with compositions that border on cliché–whether of a cheerful Fresno suburb or the bustling streets and crowded pier-side haunts of San Francisco’s marketplace. But each time, he punctures the cliché with cascades of complex details emerging spontaneously from the conflicted drives of the characters and the life-or-death stakes of their situations.”
Sragow, writing 1-Feb-05, then notes something that is culturally a hot button right now: toxic masculinity:
“Under Dassin’s direction, Conte here minted a fresh leading-man archetype-a rough-edged, virile naïf, containing equal amounts of violent distrust and gallantry. And Mitchell brings deep-grained orneriness to Ed, a summa cum laude from the school of hard knocks, willing to rook others to satisfy his sense of justice. What gives this movie its charge isn’t just the physical danger of the road and the injustice perpetrated when fixers like Figlia use dirty tricks on truckers and buyers—it’s the psychological drama of men tossed off balance by want and need as they strive to achieve equilibrium.” … “Ed pulls Nick out from under his truck after Nick botches a tire change and gets his face buried in sand. When the older man bandages his neck, and these two finally forge a bond, Nick mutters that passersby might get the wrong idea.”
Pretty advanced for 1949, but like the ending, it gets set right: Nothin’ but manly man hetero stuff … 1949’s equivalent of “No Homo.”
And just so we’re clear that Conte/Mitchell and Oakie/Pevney are just no homo bros, in comes Rico to keep the men manly. Curiously, she’s rather butch, both in her toughness and her physical, trenchcoat-wearing appearance. In fact she’s sporting a short Italian haircut (which would be the focus of an I Love Lucy episode in a few years), which accentuates her Italian “earthiness,” (also the focus of an I Love Lucy episode in a few years). AND her character was originally named “Tex.” (See the paragraph about Hope Emerson below for more on this stuff.) Sragow sums it up:
“Played by Valentina Cortese with dazzling emotional clarity and erotic warmth, she’s at once this film’s beating heart and the center of its existential concerns–she dares Nick to trust his instincts and trust her, despite her shady deal-making and background.”
The review is also interesting because it delves into the writing:
“Bezzerides’ writing at its peak boasts a dynamic blend of iconoclasm and bitterness–an ideal combination for the intersection of kinetics and moodiness that is film noir. … “Bezzerides objected to several alterations to his book and deplored the casting of Dassin’s then-girlfriend Cortese in a role originally called “Tex.” But in movie terms, he was incorrect on every count–to use his phrase, the only truly “chickenshit change” was a studio-inserted scene in which cops berate Nick for taking the law into his own hands. Cortese’s sometimes comical, sometimes poignant, always live-wire oomph makes this proletariat adventure unique and gives it the ravaged soul and earthy glamour of a demimonde romance. No gal in movies has ever looked sexier or more good-humored drying her hair after a shower. When Nick says Rica has “soft hands,” she says she has “sharp claws.” She uses them only to play tic-tac-toe on his chest–a fitting game for a film in which one false move can turn ethical and commercial triumph into disaster.”
In a shorter review, «John Chard» agrees with Sragow, and adds that the chicken shit ending, tacked on to appease the Production Code’s moralists, is ridiculous:
“Revenge, hope and desperation drives Dassin’s intelligently constructed noir forward. It’s a film very much interested in its characterisations as it doles out a deconstruction of the American dream. … Dassin and Bezzerides push a revenge theme to the forefront whilst deftly inserting from the sides the devils of greed and corruption of the California produce business. “The trucks’ journey is brilliantly captured by the makers, both exciting and exuding the menace of the hard slog for truckers. … [once in San Francisco] underhand tactics come seeping out and the appearance of prostitute Rica (Cortese) into Nico’s life adds a morally grey area that pings with sharp dialogue exchanges. Real location photography adds to the authentic feel of the story, and cast performances are quite simply excellent across the board. “The code appeasing ending hurts the film a touch, inserted against Dassin’s wishes, and there’s a feeling that it should have been more damning with the economic tropes; while the fact that Nico’s father is more concerned about being robbed of money than losing the use of his legs – is a bit strange to say the least. However, from a graveyard of tumbling apples to the fact that more than money is stolen here, Thieves’ Highway is sharp, smart and engrossing stuff.”
John Chard, TMDb
Sharp, smart, engrossing … and for us LGBTQ+ viewers, chock full of forbidden fruit.
We loved this one. Having spent many years in the Bay Area, we could relate to much of the scenery and sensibilities and subtext.
And speaking of subtext again, worth noting is the appearance of the wonderful Hope Emerson, a career character actor with a long list of credits, including Adam’s Rib in the same year as Thieves’ Highway. In Adam’s Rib, she played a very talented gymnast in a courtroom, in a role that noted both how big and butch she was, in an era when that kind of thing was invisible. She is somewhat the same in Thieves’ Highway, minus the gymnastics, as a very tough female fruit buyer. Dassin pretty much broke the Code in multiple ways throughout the movie; although the Code had the last say with its smarmy cop platitudinal lecturing about not taking the law in your own hands, the weight of his film said, “Nuts to you!” to the Code.
A good pairing for this would be The Grapes of Wrath, which starts with starving Okies hitting Route 66 in search of fruit picking work. Follow that with Thieves’ Highway and you get a clear picture of what it takes to get an apple off a tree into the teeth of someone wanting to cheat a doctor a day.
Sadly, much is unchanged in this process, except the grower, the picker, the trucker and the distributor-to-grocery-stores are all corporate behemoths and conditions may, if anything, be worse than 1940’s Grapes of Wrath and 1949’s Thieves’ Highway. We’ve let much slide since Reagan, who married anti-New Deal propaganda with our generation’s laziness and produced massive rollbacks of workers’ rights (and the current occupant of the White House), and our grandchildren will have to fight three times as hard as their ancestors between 1870 and 1950 did for decency, living wages, respect, clean air, clean water, and safe working conditions. Whether they will do it remains to be seen.
Nico ‘Nick’ Garcos: [to Rica] “You look like chipped glass.”
Nick: “Hey, do you like apples?” Rica: “Everybody likes apples, except doctors.” Nick: “Do you know what it takes to get an apple so you can sink your beautiful teeth in it? You gotta stuff rags up tailpipes, farmers gotta get gypped, you jack up trucks with the back of your neck, universals conk out.” Rica: “I don’t know what are you talking about, but I have a new respect for apples.”
Thieves Highway. 1949. TCM. English. Jules Dassin (d); A.I. Bezzerides (w); Richard Conte, Valentina Cortese, Lee J. Cobb, Barbara Lawrence, Jack Oakie, Millard Mitchell, Joseph Pevney, Morris Carnovsky, Tamara Shayne, Kasia Orzazewski, Norbert Schiller, Hope Emerson (p). Alfred Newman (m). Norbert Brodine (c).
“Not only is it hilarious, it has fabulous midcentury (ugh, that word) interiors, jokes only librarian/book/research nerds understand, an awesome supporting cast including EMERAC and Kate gets to get blotto and talk about the “Mexican Avenue Bus” (the Lexington Avenue Bus, that is).”
["Curfew shall not ring tonight!" Katharine Hepburn and Spencer Tracy in Desk Set. A RomCom about 30somethings played by 50somethings falling in love under the benevolent gaze of EMERAC.]
From 1957: «Desk Set», my personal favorite among the nine Katharine Hepburn-Spencer Tracy films. Not only is it hilarious, it has fabulous midcentury (ugh, that word) interiors, jokes only librarian/book/research nerds understand, an awesome supporting cast including EMERAC and Kate gets to get blotto and talk about the “Mexican Avenue Bus” (the Lexington Avenue Bus, that is).
“A computer expert tries to prove his electronic brain can replace a television network’s research staff.”
I’m beginning to think The MovieDb folks need better synopsis writers.
“Desk Set catches them 15 years into their affair and 10 years before Tracy’s death. You can sense their level of comfort with each other—something that actually works against them in a romantic comedy in which opposites and antagonists are supposed to eventually attract. Tracy plays Mr. Sumner, an efficiency expert hired by the Federal Broadcasting Company to find departments in which his new-fangled computers (the size of a room, by the way) might save work-hours. Hepburn is Bunny Watson, who runs the research department rather than the always-absent boss (Gig Young) with whom she’s been having a seven-year relationship … waiting for a ring and running out of patience.
“The formula is pretty basic, but it’s the characters (and the actors) that make “Desk Set” fun to watch. It might also be one of the best films to document those legendary wild office parties from the ‘50s and ‘60s, with everyone imbibing so much Christmas cheer that they all start to get a bit of a Rudolph nose.
“Desk Set” weaves machines vs. humans and gender-role themes into a pleasant battle-of-the-sexes film that feels more leisurely than most gender bender scripts that come out of Hollywood. This adapted screenplay, interestingly enough, comes from the pens of Henry and Phoebe Ephron, whose daughter, Nora, would receive Oscar nominations for her own work (“Silkwood,” When Harry Met Sally…,” “Sleepless in Seattle”). The script gives Tracy and Hepburn just enough to work with, and whatever charm that “Desk Set” has comes from the two stars and their interaction with each other and a decent supporting cast. Joan Blondell is particularly funny as Bunny’s sometimes abrasive co-worker, with Dina Merrill and Sue Randall also cutting up in the research department.”
James Plath, Movie Metropolis
Joan Blondell is fabulous as always and the film marks an appearance by Sue Randall, who would later play Beaver’s teacher on Leave It to Beaver. Neva Patterson is awesomely uptight and Dina Merrill is far too glamorous to be a research assistant, but it works. The would-be pairing of Gig Young and Katharine Hepburn is a bit far-fetched, and both Kate and Spencer seemed just a little long in the tooth for a RomCom, but those are quibbles. It works and works raucously well.
A short bit about a rainstorm and a guy from legal and his wife, kids and mother-in-law is hilarious and reminds you of I Love Lucy. But the best bit is a silent one by Ida Moore, an unnamed “Old Lady” who wanders in from time-to-time, checking out a book or enjoying the spiked punch at the office Christmas party. Supposedly, she was, way back in the day, the original model for the giant sculpture which is Federal’s logo, and she has had the run of the place ever since. Ida Moore does this with such aplomb and excellence that even Kate seems to be in her shade.
Besides the “Mexican Avenue Bus,” there are many great lines/bits:
Bunny Watson: “Have some tequila, Peg.”
Peg Costello: “I don’t think I should. There are 85 calories in a glass of champagne.”
Bunny Watson: “I have a little place in my neighborhood where I can get it for 65.”
Richard Sumner: “Hello? Santa Claus’s reindeer? Uh, why yes I can… let’s see, there’s Dopey, Sneezy, Grouchy, Happy, Sleepy, uh Rudolph, and Blitzen! You’re welcome!”
Bunny Watson: “Just for kicks. You don’t have to answer it if you don’t want to. I mean, don’t dwell on the question, but I warn you there’s a trick in it: If six Chinamen get off a train at Las Vegas, and two of them are found floating face down in a goldfish bowl, and the only thing they can find to identify them are two telephone numbers – one, Plaza Oh-Oh-Oh-Oh-Oh, and the other, Columbus Oh-1492 – what time did the train get to Palm Springs?”
Richard Sumner: “Nine o’clock.”
Bunny Watson: “Now, would you mind telling me how you happened to get that?”
Richard Sumner: “Well, there are eleven letters in Palm Springs. You take away two Chinamen, that leaves nine.”
Bunny Watson: “You’re a sketch, Mr. Sumner.”
Richard Sumner: “You’re not so bad yourself.”
Bunny Watson: “I don’t smoke, I only drink champagne when I’m lucky enough to get it, my hair is naturally natural, I live alone… and so do you.”
Richard Sumner: “How do you know that?”
Bunny Watson: “Because you’re wearing one brown sock and one black sock.”
And of course my personal favorite, Curfew Shall Not a-Ring Tonight!:
Richard Sumner: [Watching the computer result on “Corfu”, which is mistaken as “curfew”] What the devil is this?
Bunny Watson: [Also having a look] It’s the poem, “Curfew Shall Not Ring Tonight.” Isn’t that nice? [reciting] “Cromwell will not come till sunset, and her lips grew strangely white… as she breathed the husky whisper, curfew must not a-ring tonight.”
Miss Warriner: [while Bunny goes on] Mr. Sumner, what can I do?
Richard Sumner: Nothing. You know you can’t interrupt her [the computer] in the middle of a sequence.
Miss Warriner: Yes, but, Mr. Sumner…
Richard Sumner: Quiet! Just listen.
Bunny Watson: “She had listened while the judges read, without a tear or sigh, at the ringing of the curfew, Basil Underwood must die.”
Richard Sumner: Uh, how long does this go on?
Bunny Watson: That old poem has about 80 stanzas to it.
Richard Sumner: Where are we now?
Bunny Watson: “She has reached the topmost ladder. O’er her hangs the great dark bell, awful is the gloom beneath her like the pathway down to hell. Lo, the ponderous tongue is swinging. ‘Tis the hour of curfew now, and the sight has chilled her bosom, stopped her breath and paled her brow.”
Bunny Watson: “Shall she let it ring? No, never! Flash her eyes with sudden light, as she springs and grasps it firmly…
[answers the phone]
Bunny Watson: …curfew shall not ring tonight!”
Bunny Watson: They hung up. And I know another one! “Out she swung, far out, the city seemed a speck of light…”
Desk Set. 1957. TCM. English. Walter Lang (d); Phoebe Ephron, Henry Ephron, William Marchant (w) Spencer Tracy, Katharine Hepburn, Gig Young, Joan Blondell, Dina Merrill, Sue Randall, Neva Patterson, Henry Ellerbe, Nicholas Joy, Diane Jergens, Merry Anders, Ida Moore, Rachel Stephens, Don Porter, Sammy Ogg (p). Cyril J. Mockridge (m). Leon Shamroy (c).
“There’s a lot more than just smiles to recommend this one–ts droll English humor, its glimpse at fashions and designs and trends of 1968, the fantastic acting of everyone, including the performance of Bob Newhart, whose movie outings are often forgotten, the sarcastic wit and the satire–it’s a long list and will need a second viewing to get it all.”
[How veddy British! Peter Ustinov and Maggie Smith in Hot Millions. Also, how veddy Sixties!]
From 1968: «Hot Millions». Some fun British fun from Peter Ustinov and Maggie Smith.
True story. The very first time I ever went to a theater and saw a movie was in February 1968 at the Plains Theater in Roswell, NM. Which is sadly now the “International UFO Museum and Research Center” 1947 alien landing tourist trap and that’s upsetting and rather terrifying. But upsetting and terrifying is what my first movie experience was; my four-year-old self bawled all the way through it and I think my sister had to take me to the lobby.
The list of things that scared me was long in those days; well into my teens, I was pretty much scared of everything. No reason; I had a good childhood, wasn’t abused or anything. But movie theaters, especially high ceilings and balconies, terrified me. So did fire engines, police cars, motorcycles, Walt Disney, sirens, fireworks, Carlsbad Caverns, roller coasters, teachers and teenagers.
But what was the most terrifying of all was the first movie in a theater: Blackbeard’s Ghost, starring Peter Ustinov. It was a funny kid’s Disney movie, typical of the time, with Dean Jones, Suzanne Pleshette, Elsa Lanchester, Elliot Reid, Richard Deacon and Michael Conrad, in his pre-Hill Street Blues days.
And the worst scene was Ustinov as Blackbeard, riding a police motorcycle with siren blaring, invisible to everyone except Dean Jones. I really bawled at that. Even if it was about the funniest one in the movie. Sirens, invisible pirates, a huge theater, yeesh.
At any rate, Hot Millions is what we’re actually talking about here.
“A con-artist (Peter Ustinov) gains employment at an insurance company in order to embezzle money by re-programming their “new” wonder computer.”
“Today I would like to bow to another critic for my opening thought. Writing about Hot Millions in the New Republic, Stanley Kauffmann observed that it didn’t make him laugh out loud, but at the end of the film he realized he’d been smiling for nearly two hours. That says it very well: Hot Millions, which is not a hilarious comedy, is a pleasant, warm one.
“The warmth comes because the characters are developed rather more than is usually the case in movies about (a) embezzlers or (b) eccentrics. The British comedy tradition accounts for these two genres quite completely; eccentrics are usually Terry-Thomas whistling through the gap in his teeth, and embezzlers usually try for a sort of efficient anonymity.
“This is not, I suppose, a great comedy. But Ustinov and Miss Smith act with a sort of natural appeal, and there are moments you will enjoy very much. Especially recommended for computer programmers, their accomplices and their molls.”
I personally don’t need my sides to split when I watch a “comedy,” but that’s just me. There’s a lot more than just smiles to recommend this one–ts droll English humor, its glimpse at fashions and designs and trends of 1968, the fantastic acting of everyone, including the performance of Bob Newhart, whose movie outings are often forgotten, the sarcastic wit and the satire–it’s a long list and will need a second viewing to get it all.
Carlton J. Klemper [talking about his corporation taking over the whole world]: “Yes sir! When the time comes, I may even put in a bid for all of England.”
Marcus Pendleton: }Hadn’t you better wait till it’s solvent?”
Prison Governor: “You should be in politics, not in prison.”
Marcus Pendleton: “Well, in a way, I was, wasn’t I? When they caught me embezzling at the Conservative Central Office.”
Prison Governor: “Yes, I could never understand why you chose that of all places.”
Marcus Pendleton: [after a pause, says sternly] “I’m a Liberal.”
Prison Governor: “Oh.”
Elderly Gentleman card player: [Irritated by all the talk] “If this keeps up, I shall violate a lifetime principle and play bridge with women.”
Patty: “What does he want?”
Patty: “What are they?”
Marcus: “Young female donkeys.”
Hot Millions. 1968. TCM. English. Eric Till (d). Peter Ustinov, Ira Wallach (w). Peter Ustinov, Maggie Smith, Karl Malden, Bob Newhart, Robert Morley, Cesar Romero, Peter Jones, Ann Lancaster, Patsy Crowther. (p). Laurie Johnson (m). Kenneth Higgins (c).
“You are a member of the best dressed, best fed, best equipped liberating Army now on earth. You are going in among the people of a former Ally of your country. They are still your kind of people who happen to speak democracy in a different language.”
As they moved off the beaches after 6-Jun-44, U.S. service personnel read this. Here are some particularly important excerpts.
Pocket Guide to France Prepared by Army Information Branch, Army Services Forces, Information and Education Division, United States Army War and Navy Departments, Washington, D.C. 1944
“Why You’re Going to France “You are about to play a personal part in pushing the Germans out of France. Whatever part you take—rifleman, hospital orderly, mechanic, pilot, clerk, gunner, truck driver—you will be an essential factor in a great effort which will have two results: first, France will be liberated from the Nazi mob and the Allied armies will be that much nearer Virtory, and second, the enemy will be deprived of coal, steel, manpower, machinery, food, bases, seacoast and a long list of other essentials which have enabled him to carry on the war at the expense of the French. “The Allied offensive you are taking part in is based upon a hard-boiled fact. It’s this. We democracies aren’t just doing favors in fighting for each other when history gets tough. We’re all in the same boat. Take a look around you as you move into France and you’ll see what the Nazis to to a democracy when they can get it down by itself.”
“A Few Pages of French History “Not only French ideas but French guns helped us to become a nation. Don’t forget that liberty loving Lafayette and his friends risked their lives and fortunes to come to the aid of General George Washington at a moment in our opening history when nearly all the world was against us. In the War for Independence which our ragged army was fighting, every man and each bullet counted. Frenchmen gave us their arms and their blood when they counted most. Some 45,000 Frenchmen crossed the Atlantic to help us. They came in cramped little ships of two or three hundred tons requiring two months or more for the crossing. We had no military engineers; French engineers designed and built our fortifications. We had little money; the French lent us over six million dollars and gave us over three million more. “In the same fighting spirit we acted as France’s alliy in 1917 and 1918 when our A.E.F. went into action. In that war, France, which is about a fourteenth of our size, lost nearly eighteen times more men than we did, fought twice as long and had an eighth of her country devastated.”
“In Parting “We are friends of the French and they are friends of ours. “The Germans are our enemies and we are theirs. “Some of the secret agents who have been spying on the French will no doubt remain to spy on you. Keep a close mouth. No bragging about anything. ‘No belittling either. Be generous; it won’t hurt. “Eat what is given you in your own unit. Don’t go foraging among the French. They can’t afford it. ‘Boil all drinking water unless it has been approved by a Medical Officer. ‘You are a member of the best dressed, best fed, best equipped liberating Army now on earth. You are going in among the people of a former Ally of your country. They are still your kind of people who happen to speak democracy in a different language. Americans among Frenchmen, let us remember our likenesses, not our differences. The Nazi slogan for destroying us both was “Divide and Conquer.” Our American answer is “In Union There Is Strength.””
Pocket Guide to France, US Army
“No bragging or belittling.” “Remember our likenesses, not our differences.” “In Union There is Strength.”
“Instead of “Thank you for your service,” try, “We’re sorry you had to expend your blood, sweat, tears and toil to clean up our monumental failings.” Every time you meet one of the dwindling numbers of WWII veterans (and those of all the other magnificent little American wars we’ve fallen into), keep your mouth shut and your brain focused on peace. These “Greatest Generation” folks answered the bell and won the fight. We might not be as blessed next time.”
[Yes, the pics are graphic. Look at them. Own them. Be glad they’re in black and white.]
As the 75th anniversary of the launch of Overlord arrives, it’s important to remember that it was just part of a very big picture, the beginning of the end of World War II. Up until that point, it had been a very long, very hard slog. But afterwards you could practically see directly from the beaches of Utah, Omaha, Sword, Juno and Gold on 6-Jun-1944 to the deck of the USS Missouri in Tokyo Bay on 2-Sep-1945. The war now had its expiration date.
No one cheered harder for the faint glimpse of the end than P.o.W.s in Japan, Korea and China. A few of those had survived four years of torture, starvation, beatings, illnesses such as beri-beri and even being bombarded by their own Army Air Force; they were the survivors of Wake Island, which resisted overwhelming Japanese invasion forces between 8-Dec and 23-Dec-1941. Had it not been for Overlord and Manhattan, those men would have died. Instead, they beat the odds thanks to Truman and Ike, Normandy and Trinity. (To quote directly: “Thank God for Harry Truman and thank God for the atom bomb!”)
I always think back to 1989, when as a newspaper reporter, I was privileged to meet just 11 of the Wake Island survivors, who gathered fairly often for small-scale reunions. That year, while working as a reporter who occasionally wrote some features about WWII vets, I got a call from a friend of mine, Marie Smith, (who had kept me sane during my cursed four months while we worked at <shudder> Wal-Mart), to tell me about an upcoming gathering of Wake Island survivors and their wives at the house of her and her husband John. These people were at that point closer than family, bound forever by what happened on a tiny atoll in the middle of a vast ocean.
The article below is what I wrote at the time, but there are two caveats: First, I apparently misspelled some names. I’ve corrected this at the bottom of this post with their bios. And second, this represents nowhere near everything I was told that day. I felt like an eavesdropper, someone who could watch and hear them, but who was so far removed from their time and experience that comprehension was impossible.
In 2016, the daughter of Tony Schawang of Falls City, NE, the man into whose soybeans Braniff 250 fell in 1966, told me an anecdote about her father, who landed on Omaha Beach 75 years ago. She said she once asked him about that day and he said, “Girlie, you don’t need to know anything about that kind of thing.” He was right.
A photographer took Tony’s picture the morning after the Braniff crash. He looks shell-shocked. I could only imagine the horror of seeing 42 dead people and a crashed airliner fall to earth in front of you. But after finding out that Tony had already seen way worse in 1944 made that picture clearer, more understandable. That’s a thousand-yard stare he has in that 1966 photo. I will now always wonder if he was seeing the wreckage of Braniff 250 … or the wreckage of Omaha Beach. Or a bloody mashing together of both. (As much as I respect Mr. Schawang, as the photos above attest, I disagree. We should always know, and see, the consequences of war.)
Now that we’re older, we can understand, and value, more of the meaning and reality of all this, but those Marines and their wives (and Tony Schawang) are now gone. We can’t have conversations with them just because we’re older and wiser and can now listen to them. They’re lost to history … and we’re much the poorer for it.
What do I now know? Don’t put D-Day in service to American (or British) exceptionalism or nationalism or patriotism, and don’t “thank” a veteran for his/her “service.” Man up, grow up and face up to the reality that no one wanted to “serve” us on the cold Normandy sand. They wanted to simply survive. The hard truth is that D-Day (and Wake Island) represented a failure. A failure to confront, contain and eliminate human anger, violence, and hatred in service to nationalistic ideologies in Japan, Germany and Italy. The failure to do that consumed, between 1914 and 1945 upwards of 150 million lives around the world. WWII soldiers HAD to “serve” at Omaha Beach because WE failed to protect THEM.
Instead of “Thank you for your service,” try, “We’re sorry you had to expend your blood, sweat, tears and toil to clean up our monumental failings.” Every time you meet one of the dwindling numbers of WWII veterans (and those of all the other magnificent little American wars we’ve fallen into), keep your mouth shut and your brain focused on peace. These “Greatest Generation” folks answered the bell and won the fight. We might not be as blessed next time.
Here are the original two Wake Island articles:
Memory Of WWII Still Vivid For Vets (Part I of the Wake Island Story)
‘Considering the power accumulated for the invastion of Wake Island and the meager forces of the defenders, it was one of the most humiliating defeats the Japanese Navy ever suffered.’ —Masatake Okumiya, commander, Japanese Imperial Navy
By Steve Pollock The Duncan (OK) Banner) Sunday, August 13, 1989
MARLOW – It all came back to them this weekend – the stark terror of facing death while kneeling naked on a sandy beach the stinking hold of the prison ship; the brutality of the Japanese; the obliteration of youthful innocence.
They fought and bled for a two-and-a-half-square-mile horseshoe of an atoll in the midPacific called Wake Island. They were United States Marines and they did their duty.
There were 10 [sic] men of that Wake Island garrison at the Marlow home of John Smith this weekend. With Smith, they talked, drank and smoked their way through the weekend, laughter masking deeper emotions of brotherhood, camaraderie and painful memories.
In the Smith kitchen, their wives continued the latest of an ongoing series of therapy sessions, attempting to exorcise some of the demons of the last 44 years of their lives with the hometown heroes.
In 1941, with war inevitable, the U.S. government began construction of a series of defensive Pacific Ocean outposts, including Wake, designed to protect against Japanese aggression. They were a little late.
Little Wake atoll, with some 1,616 Marines and civilians huddled on its three islands, was attacked at noon, Dec. 8, 1941, several hours after Pearl Harbor.
The Marines knew war was possible, but “didn’t think the little brown guys had the guts to hit us,” one of them said.
Jess Nowlin’s hearing aid battery is getting a little weak as the afternoon wears on, but his memory and sense of humor are still sharp.
He said the Marines were going about their business when they heard the drone of approaching aircraft.
“We thought they were B- 17’s out of Pearl coming in to refuel. They weren’t. They broke out of a cloud bank at about 1,800 feet, bomb bay doors open. They tore us up,” Nowlin said.
The Japanese attacked from sea and air, but the Marines held out until Dec. 23; only 400 remained to defend 21 miles of shoreline from 25 warships and a fleet of aircraft. Surrender was inevitable.
Through a haze of cigarette smoke, Robert Mac Brown, a veteran not only of World War II, but of Korea and three tours of duty in Vietnam, remembers the post-surrender scene on the beach.
“We were stripped naked and they hog-tied us with our own telephone wire. A squall came through, but lasted only about 10 to 15 minutes. One of my clearest memories of the whole operation is of watching the water run down the bare back of the guy in front of me,” Brown said.
Japanese soldiers lay on the sand in front of the prisoners, swinging machine guns back and forth. The click of rounds being loaded into chambers was ominous. Fingers tightened on triggers.
“There was an argument between the landing force commander and a guy with the fleet. They screamed at each other in Japanese, arguing about whether to kill us or not,” Brown said.
The Marines made their peace and prepared to die.
The argument to make prisoners of the Marines and civilians won the day. The prisoners were allowed to grab what clothing they could to cover themselves.
And then a living hell began which would only be ended by the birth of atomic stars over southern Japan nearly four years later.
Taken off the island on small ships, the prisoners were forced to climb up the side of the Nittamaru, a former cruise ship pitching about on rough seas.
As the men walked back through the ship and down to the hold, the crew beat them with bamboo sticks, in a gauntlet of brutality.
Packed in the stinking hold, several hundred Marines and civilians had only one five-gallon bucket per deck to hold human waste. For the 14 days of the Nittamaru’s passage from Wake to Shanghai, they could barely move.
The cold of Shanghai was felt through their thin tropical khaki. It was January 1942. Robert Brown was to have married his girl on January 12. She married someone else.
“I thought you were dead,” she later told him.
From Shanghai, through Nanking, Peking, Manchuria and Pusan, Korea, the group journeyed in packed cattle cars to their eventual destination, a coal mine on the Japanese island of Hokkaido, where they dug in the shafts alongside third-generation Korean slave labor.
They were slaves themselves until August 1945.
“Thank God for Harry S. Truman and the atomic bomb,” several survivors said, as the others echoed that prayer.
They went home to heroes’ welcomes, but the public ”’never fully appreciated or understood what we did,” Nowlin said.
They’re much older now — in their 60’s and 70’s — and it was a family reunion of sorts; they claim to be closer than brothers. They don’t miss their “get-togethers” for anything in the world; Robert Haidinger traveled from San Diego with a long chest incision after recently undergoing a major operation.
As they gazed through the Oklahoma sunshine, they didn’t see the cow bam beyond the lovegrass rippling in the August breeze; it was a Japanese destroyer was steaming close in to end their lives all over again.
“It was awful, terrible; I wouldn’t have missed it for anything; you couldn’t get me to do it again for a billion dollars,” Nowlin summed it up.
The men: Tony Obre [sic], Fallbrook, Calif; Robert Haidinger, San Diego, Calif.; Robert Murphy, Thermopolis, Wyo.; Dale Milburn [sic], Santa Rosa, Calif.; George McDaniels [sic], Dallas, Texas; Jess Nowlin, Bonham, Texas; Jack Cook, Golden, Colo.; Robert Mac Brown, Phoenix, Ariz.; Jack Williamson, Lawton; Paul Cooper, Marlow, and John Smith, Marlow.
The cost of the defense of Wake Island, from Dec. 8 to 23, 1941: Americans: 46 Marines, 47 civilians, three sailors and 11 airplanes; Japanese: 5,700 men, 11 ships and 29 airplanes.
Wives Cope With Husband’s Memories (Part II of the Wake Island Story)
By Steve Pollock The Duncan (OK) Banner Sunday, August 13, 1989
MARLOW – It all came back to them this weekend – fists lashing out during nightmares, the traumatic memories, the attempts to catch up on lost time.
The wives of 10 Wake Island survivors met in Marlow with their husbands this weekend for reasons of their own.
“We go through therapy every time we get together. We help each other with problems,” they said.
The wives: Florence Haidinger, Maxine Murphy, Opal Milburn [sic], Irene McDaniels [sic], Sarah Nowlin, Betty Cook, Millie Brown, Jo Williamson, Juanita Cooper and Marie Smith.
They did their own bit during World War II: The Red Cross, an airplane factory in Detroit, North American Aviation in El Segundo, Calif, Douglas in Los Angeles, the Kress dime store.
They married their men after the long national nightmare was finished, and their lives became entwined by one event: the Japanese attack on Wake Island Dec. 8-23,1941.
Since the first reunion of Wake survivors and their spouses in 1953, these women have been like sisters.
“We love each other, we’re closer than family,” Jo Williamson said.
In Marie Smith’s kitchen, therapy was doled out in a catharsis of talk little different from that of the men gathered on the patio. Talk is said to be good for the soul; these women heal great tears in theirs every time they see each other.
According to the wives, the men came home from the war, married, had children and tried to pick up where they left off.
They wanted to take care of their families and try to catch up. They were robbed of the fun times of their late teens and early 20’s, the women unanimously agree.
“They have also lived every day as if it were their last,” Sarah Nowlin said.
The men needed some help after their harrowing battle and brutal three -and-a-half-year captivity.
According to the women, doctors never realized therapy was in order: “They never got anything.”
One man lashed out with his fists during nightmares; after a few pops, his wife learned to leave the room. Another would slide out of bed and assume a rigid posture on the floor, arms and legs folded. Yet they have all been gentle men.
“I’ve never seen my husband harm or even verbally abuse anyone,” a wife said Reunions such as this help the men and women deal with life as they age. The youths of 16-22 are now grandfathers and grandmothers in their 60’s and 70’s.
Life today is a bit baffling to them.
Extremely proud of their men, the women have no patience with draft dodgers, flag burners, Japanese cars or foreign ownership of America.
They didn’t agree with the Vietnam war policy, but duty to country should have come first, they said.
“I didn’t want my son to go to Vietnam, but I would have been ashamed of him if he hadn’t,” one said.
The issue of flag burning stirs violent protest and emotion in the group: “Made in America”’ labels are on everything they buy.
And the younger generation does not enjoy the women’s confidence: “I don’t think they could do what we were all called on to do,” they agreed.
And as Marlow afternoon shadows grew longer, the women of Wake continued to cleanse their souls.
Updated bios (confirmed via findagrave.com):
• Cpl. Robert Mac Brown, USMC, Phoenix, AZ. Birth: 1-Feb-1918. Death: 21-Sep-2002 (age 84). Buried: Arlington National Cemetery, Arlington, VA.
• Sgt. Jack Beasom Cook, USMC, Golden, CO.
Birth: 18-Jun-1918, Okmulgee, OK.
Death: 20-Nov-1999 (age 81).
Buried: Fort Logan National Cemetery, Denver, CO.
• Sgt. Paul Carlton Cooper, USMC, Marlow, OK.
Birth: 30-Oct-1918, Richardson, TX.
Death: 18-Sep-1994 (age 75), Marlow, OK.
Buried: Marlow Cemetery, Marlow, OK.
• Cpl. Robert Fernand Haidinger, USMC, San Diego, CA. Birth: 24-Nov-1918, Chicago, IL. Death: 7-Mar-2014 (age 95). Buried: Fort Rosecrans National Cemetery, San Diego, CA.
• PFC Robert Bruce “Bob” Murphy, USMC, Thermopolis, WY. Birth: 5-Oct-1920, Thermopolis, WY. Death: 5-Feb-2007 (age 86), Hot Springs County, WY. Buried: Monument Hill Cemetery, Thermopolis, WY.
• Pvt. Ival Dale Milbourn, USMC, Phoenix, AZ.
Birth: 23-Jul-1922, Saint Joseph, MO.
Death: 18-Dec-2001 (age 79), Mesa, AZ.
Buried: Skylawn Memorial Park, San Mateo, CA.
• PFC George Washington “Dub” McDaniel, Dallas, TX.
Birth: 23-Dec-1915, Stigler, OK.
Death: 14-Jul-1993 (age 77).
Buried: Stigler Cemetery, Stigler, OK.
“It is impossible to engage in intellectual discourse with National Socialist Philosophy. For if there were such an entity, one would have to try by means of analysis and discussion either to prove its validity or to combat it. …”
And then Primo Levi pegged the inevitable results of such greed, hypocrisy, selfishness … and our addiction to those three destructive forces:
“Auschwitz is outside of us, but it is all around us, in the air. The plague has died away, but the infection still lingers and it would be foolish to deny it. Rejection of human solidarity, obtuse and cynical indifference to the suffering of others, abdication of the intellect and of moral sense to the principle of authority, and above all, at the root of everything, a sweeping tide of cowardice, a colossal cowardice which masks itself as warring virtue, love of country and faith in an idea.”
And the college students of the White Rose in Munich, 1942, in a pamphlet that would lead to their executions, also outlined how it’s impossible to have rational, intellectual discourse with those who have devoted themselves to irrational, anti-intellectual rot:
“It is impossible to engage in intellectual discourse with National Socialist Philosophy. For if there were such an entity, one would have to try by means of analysis and discussion either to prove its validity or to combat it. In actuality we face a [different] situation. At its very inception this movement depended on the deception and betrayal of one’s fellow man.”
The White Rose Society, 1942
No. You cannot argue with Fascists or Nazis or ignorant nationalists. Rational arguments won’t win over irrational people.
It’s been TWELVE (12)!!! years??! Holy cow. In spite of all the special dogs (Feargal, Fergus, Fred, Roux, Sascha, Bosco, Goose, Tessa and now Charlie) we’ve had since Bayley crossed the Rainbow Bridge, the first dog who enters your life always leaves the most special imprint on your heart. And Bayley was indeed a special first one. So much so that we remember him and his anniversaries all the time. Here’s the post from 12 years ago, maudlin and sentimental and all that.
Bayley Murphey Beagle 20-Aug-1994 — 2-Mar-2007
Dear Bayley Murphey,
Thank you for being such a wonderful and good dog, a loving companion, for keeping us sane, for loving us unconditionally, for being such an incredibly important part of our lives for 12-and-a-half years. Thank you for putting up with all the picture-taking, ear rubbing, nail clipping, bathing, teefs-brushing and hugs and kisses. Thank you for curling up against us on cold, winter nights. Thank you being the touchstone of our lives. Thank you for being you.
We tried hard to give you a good life, full of all the things that good dogs such as you deserve. From the time of your puppyhood until today, you tried so hard to be good and please us, and you always did. We are richer for having had you in our lives, much, much poorer for your passing. Your suffering is over, now it’s time to run baying through the fields, chasing rabbits, rolling in squirrel pee, and lying under a tree gnawing a never-ending supply of beagle bagels.
Rest and sleep well, pookus. You leave a very large hole in our hearts and our lives.