“The attraction here isn’t really the cultural relic/curiousity value, it’s the variation of the old man meets woman, they hate each other, they clash with sparkling dialogue and then end up together ’til death they do part. This bit has been done to death in Hollywood’s 100+ year run, but it can be freshened and redeemed if the scriptwriter is up to the job.”
From 1932, it’s the second of six films Jean Harlow made with Clark Gable: Red Dust. (21 years later, it would be remade as Mogambo, the setting moved to Africa, with Ava Gardner in the Jean Harlow role and Grace Kelly in the Mary Astor Role. It stank. Red Dust is superior, like most Hollywood remakes, to its later imitator. The six films Gable and Harlow did together were: The Secret Six (1931); Red Dust (1932); Hold your Man (1933); China Seas (1935); Wife vs. Secretary (1936); and Saratoga (1937). Harlow died during filming of Saratoga.)
The « synopsis » according to The Movie Database (TMDb) runs thusly:
“Dennis, owner of a rubber plantation in Cochinchina, is involved with Vantine, who left Saigon to evade the police; but when his new surveyor, Gary, arrives along with his refined but sensual wife, Barbara, Dennis gets infatuated by her.”
“The owner of a rubber plantation becomes involved with the new wife of one of his employees.”
Way to drain flavor completely out of a synopsis, Amazonians!
Red Dust is pretty much everything that cancel culture despises today. There’s racism, sexism, slavery, the patriarchy time 100, misogyny, misanthropy, animal abuse, cuckolding, adultery, (and behind the scenes, homophobia and violence) and probably a few other things I can’t even identify off the top of my head right now. But even if cancel culture would like to burn this film, it’s rather juvenile to think adults can’t look, read or watch something from earlier periods of our history and gain some understanding of a time in the nation’s life and adopt what we’ve just seen as our own outlook. In other words, watching Red Dust won’t make you go out and slap blond women on the butt or enslave coolies in Vietnam or any of the other multitudinous sins.
We have been wondering if a boycott TCM movement will start; pretty much everything they show is a reminder of the really evil or tawdry foundations of this country. And pretty much everything they show is also a pointer to a better future, even if that future is on hold right now while Trump, Bolsonaro, Johnson, Orban, Netanyahu, Erdogan and various ayatollahs hold power.
But all that is a digression. The film itself should be considered in context. It has it’s funny moments in the banter of Gable and Harlow, but it is a drama with a twist ending. It’s the tale of what happens when a rubber plantation owner hires a surveyor, Gene Raymond, who brings along his pretty wife, Mary Astor. While Raymond writhes on the bed with malaria, Gable and Astor spark up some flames. And in the middle of all this lands, Harlow, a brassy blond hiding out in the jungle after some unspecified misunderstandings with the gendarmerie in Saigon (pronounced, inexplicably, as “Say-gone”). There’s some business with a local tiger, some difficulties with not being able to trust the local coolies, a caricature of a cook, Willie Fung who does the grinning, giggly “so solly” bit, and inadequate bathing facilities.
The attraction here isn’t really the cultural relic/curiousity value, it’s the variation of the old man meets woman, they hate each other, they clash with sparkling dialogue and then end up together ’til death they do part. This bit has been done to death in Hollywood’s 100+ year run, but it can be freshened and redeemed if the scriptwriter is up to the job. In this case, the writer wasn’t really up to the job with the majority of the script, but for some reason, excelled with the dialogue as long as it was between Harlow and Gable. And that’s where it shines.
Of course, anything Harlow did shined, especially Dinner at Eight. Gable gets first billing here, and the movie is supposedly about him, but it’s Harlow who does the best job. The proof is in the difference between the Harlow/Gable exchanges and those of Astor/Gable. Harlow wins hands down every time she’s onscreen. Gable may have dominated the 1930s cinema with his star power, culminating in 1939’s bullshit “Lost Cause” revisionist rebel/traitor masterpiece, Gone With the Wind, but Harlow was superior in every way, at least when she was given half a chance.
Sadly, Harlow was suffering from nephritis and died of uremic poisoning during the filming of her last Gable vehicle, 1937’s Saratoga. Remarkably, she was just 26 when she died, having such an amazing career in such a short time that it’s mind-boggling to think of what she might have done with a longer life. This would be repeated in the case of Judy Holliday in the 1950s, who was an awesome actress whose life ended too soon. It would have been incredible for Harlow and Holliday to have done a film together at least once. Ah, what might have been (at least if they had been given a great script and director).
We at least have Harlow and Holliday on film fairly easy to access. Red Dust is on TCM as well as DVD.
What did reviewers have to say about Red Dust?
And that behind the scenes homophobia violence? Well, that’s the Gene Raymond story, who married Jeanette McDonald (of “Nelson Eddy and” fame), but had a rather interesting life. Producer/Director George Sidney once called Raymond “the most gorgeous thing the world has ever seen.” Seems a bit far fetched for me, but he was pretty. And therein lay the problem. We’ll let Wikipedia take over:
“Biographer Sharon Rich reported in her Nelson Eddy and Jeanette MacDonald biography, Sweethearts, that Raymond and MacDonald had a rocky marriage, with Raymond physically and emotionally abusing MacDonald, and having affairs with men. This began on their honeymoon [in 1937] when MacDonald discovered Raymond in bed with Buddy Rogers.”
I’m sure that would have been pretty frickin’ hot, the most gorgeous thing in the world in bed with the equally hot Buddy Rogers. But go on:
“Rich reported that Raymond had been arrested three times, the first in January 1938, as verified by a court document, and also in England during his army service, for his behavior. Raymond’s wedding to MacDonald, orchestrated by Louis B. Mayer forced MacDonald to become Raymond’s beard and the 1938 arrest resulted in Mayer blacklisting him in Hollywood for almost two years.”
It gets better:
“Biographer E. J. Fleming also alleged that Eddy had confronted Raymond for abusing MacDonald, who was visibly pregnant with Eddy’s child while filming Sweethearts which ended with Eddy attacking him and leaving him for dead, disguised in the press as Raymond recovering from falling down the stairs.”
Both Rogers and Raymond, like most queers of their day, went on to other marriages with women and spent their remaining years deeply in the closet. It needs to be pointed out that:
“Raymond publicly refuted the allegations of abuse, neglect and details of his marriage to MacDonald, which were published during his lifetime.”
That quote construction seems to leave out things like affairs with men and romping in bed with Buddy Rogers, but who knows.
Critics at the time were fairly kind and the movie made a $400,000 profit (around $6.8 million in today’s dollars). The New York Times left a review up to a writer only identified by his initials, M.H., who basically recounted the plot and, while they liked Harlow, were a little snide about Harlow’s admirers in the audience at the screening at the Capitol:
“Life on a rubber plantation in French Indo-China receives attention in “Red Dust,” a pictorial adaptation of a play by Wilson Collison which is now at the Capitol. It is a far from pleasant spot, with its heat and sudden deluges of rain, its blinding sand storms and jungle beasts. Nevertheless, the atmosphere of this tale is more interesting than its story, especially the glimpses of the men at work. “Dennis Carson, played by Clark Gable, who is in charge of the plantation, avers that so long as people in other countries want balloon tires and hot-water bottles such toil must go on. The natives are indolent, which causes Carson to use the lash on them, but no sooner have they settled down to labor than they are forced often to seek shelter from a sand storm. To this uninviting area comes the immodest Vantine, a woman from Saigon. She at least makes existence more lively for Carson, who who is not precisely hospitable to her. There is trouble on all sides for Carson. … [There is a recounting of the Gable/Astor entanglement and Harlow’s involvement.] … “… Barbara and her husband eventually leave the plantation and Vantine takes up her abode in Carson’s comfortless shack. “The dialogue is not especially bright or strong, but some of the lines spoken by Vantine, who is impersonated by Jean Harlow, aroused laughter from the audience. Miss Harlow’s presence in the picture apparently attracted a host of other platinum blondes, for on all sides there were in the seats girls with straw-colored hair. Miss Harlow’s performance suits the part. Mr. Gable is efficient in his rôle. Miss Astor offers a striking contrast to Miss Harlow. Tully Marshall makes the most of a minor rôle, as does Gene Raymond, who appears as Willis.”
M.H., The New York Times
I’d agree about most of the dialogue (see choice quotes below for yourself). But it’s a pretty spot-on review from the original screening.
Anyway, regardless of its content and the soap operas behind it, Red Dust is a worthwhile, entertaining history lesson and should be taken as a positive sign of just how we’ve come in almost 90 years. Or, you know, you could ignore such Pollyanna-ish constructs and, I don’t know, burn it.
Dennis Carson: Why’d you get off the boat at all? You know it doesn’t stop here again for four week, don’t you? Vantine: Sure I do. Think I’m overjoyed about it? But, its just got to be, that’s all. Dennis Carson: Well, then? Vantine: I left the boat here for the same reason I took it at Saigon. Dennis Carson: What reason? Vantine: I got mixed up in a little trouble and I thought I’d stay out of town ’til the Gendarmes forgot about it. Dennis Carson: And what a cast iron nerve you’ve got. Vantine: You have to have in my line. But, don’t worry, big boy, I’ll stay out from under foot. I’ll even pay for my board if you insist on it nicely.
Dennis Carson: Come on, lets have it. Who are you? Where’d you come from? Vantine: Don’t rush me, brother. I’m Pollyanna, the Glad Girl.
Dennis Carson: Here you are kid. [stuffs some bills in Vantine’s cleavage] Dennis Carson: It isn’t half enough, but, when I get down to Saigon, there’ll be more. Keep your chin up. [pats Vantine twice on her behind]
[The bath scene] Dennis Carson: [naked, Vantine jumps in a rain barrel] Get out of there! Say what’s the idea? Vantine: What? Dennis Carson: Getting in that barrel? Vantine: Oh, I don’t know? Maybe I’m goin’ over Niagara Falls. Whoop!
Vantine: What’s the matter? Afraid I’ll – shock the duchess? Don’t you suppose she’s ever seen a French postcard? Dennis Carson: You’ll let those curtains down if its the last bath you’ll ever take!
Vantine: Hey, where’s the reception committee? It’s been a nice little walk. Did you hear that hungry pussy cat back there? Dennis Carson: Now, listen. This woman’s decent. You watch your language and stop running around here half naked. Vantine: I’ll stay as comfortable as I like.Red Dust
Vantine: [sarcastically] What a pleasant little house party this is gonna be.
Vantine: [sarcastically] I thought we might run up a few curtains and make a batch of fudge while we were planning on what to wear to the country club dance Saturday night.
Barbara Willis: That’s a… a very polished little speech for a… barbarian.
Vantine: Don’t mind me boys, I’m just restless.
Gary Willis: [eating dinner] Those coolies are tough to handle, aren’t they? Dennis Carson: Didn’t I tell you they were a lazy bunch? Gary Willis: Well, I mean, I didn’t know they were so sneaky about it. The minute you turn your back on ’em, they’re up to something or other they shouldn’t be doing. [Dennis and Barbara look at each other] Gary Willis: Are they always like that? Dennis Carson: I’m afraid so. McQuarg: I was telling him about that time that Malay tried to knife you in the back. Vantine: Its a great country for that sort of thing.
Barbara Willis: I won’t stand for this! Do you think you can treat Gary like – like one of your coolies?
Barbara Willis: We shouldn’t have done that. Dennis Carson: We did.
Barbara Willis: Do you mind if I stay here with you? Vantine: Think you can stand the company?
Barbara Willis: It’s stupid of me to be so frightened. Vantine: This storm isn’t the only thing that has you worried around here, is it? I saw him kick the door shut. He came out with rouge all over his mouth. I suppose he asked to use your lipstick? [lights a cigarette]
Barbara Willis: Oh, it’s too silly. What do I mean I’m scared? It was just one of those exciting little moment things. Vantine: Well, watch out for the next moment, honey. It’s longer than the first.
Barbara Willis: I don’t know how it happened. I didn’t do anything. He didn’t have any reason to believe that I’d… Vantine: I didn’t hear any cries for help. Barbara Willis: Oh, I don’t know what came over me. I should have stopped him. I tried, but… Vantine: But you couldn’t. Even when you tried, could you? Barbara Willis: No. That’s why I’m scared.
Dennis Carson: All those lame cracks won’t help you any if I come back and find you’ve been annoying her. Vantine: Oh, I wouldn’t touch her with your best pair of rubber gloves!
Dennis Carson: What’s the matter with you? Are you crazy? Vantine: Just a little nauseated. This rain seems to have uncovered a pile of garbage around here. Dennis Carson: Stop looking through key holes. It’s bad for the eyes.
Red Dust. 1932. TCM. English. Victor Fleming (d). John Lee Mahin, Wilson Collison, Donald Ogden Stewart (w). Jean Harlow, Clark Gable, Mary Astor, Gene Raymond, Donald Crisp, Tully Marshall, Forrester Harvey, Willie Fung. (p). Harold Rosson, Arthur Edeson (c).
Let’s be clear: The war was about slavery, from first to last. And after the gun stopped firing, the war continued in multiple ways that all-too-often includes violence and murder.
A report on Battlefield.Org points out two things: Americans are inexplicable divided as to the causes of the Civil War, reflecting both historical ignorance as well as the continued delusions among the current crop of Lost Causers who continue to believe in and are invested fully in, the generational denial surrounding the Great Mass Treason which resulted in 1,000,000 American casualties.
Let’s be clear: The war was about slavery, from first to last. And after the guns stopped firing, the war continues in multiple ways that all-too-often includes violence and murder.
“In 2011, at the outset of the sesquicentennial, a Pew Research Center poll found that Americans were significantly divided on the issue, with 48% saying the war was ‘mainly about states’ rights,’ 38% saying the war was ‘mainly about slavery,’ with the remainder answering ‘both equally’ or ‘neither/don’t know.'”
Fascinating, if appalling that that many people either aren’t sure or are convinced that it was the santized “states’ rights,” rights which, after all, gave the states the “right” to keep and bear slaves.
Battlefields.Org then goes on to examine the four declarations from states (Georgia, Mississippi, South Carolina and Texas) which wanted all posterity to understand why they committed treason and nearly destroyed the country. Those declarations are fascinating reading and we’ll get to them below.
Battlefields.Org brokedown the content in the secession declarations thusly:
[“‘Context’ refers to procedural language and/or historical exposition that is not connected to a specific argument,” says Battlefields.org.]
I would quibble with their interpretation of the declarations. Slavery is absolutely number one in every case. Everything else flows from it: They hated the north’s refusal to enforce the southern states’ rights to … own African negro slaves and the refusal to catch such property and return it to its owners. They hated the Republican/Anti-Slavery/Abolition party which had caused its leaders to control of the Federal government, where same leaders would make war on the southern states’ rights to … own African negro slaves. And as for “context,” it’s usually just a rehash of the history of the Revolution and their continued stubborn clinging to their idea of what being in the union meant; i.e., it meant they were free to leave at any time for any reason, but the reason was always going to be about slavery and the fed’s containment strategy of … African negro slavery.
Saying “Lincoln’s Election” was a “cause” is therefore also disingenous. He’s not mentioned by name. He’s just happens to be the leader the northern agitators and abolitionists had chosen to head up their program of destroying the south and …. its peculiar institution: African negro slavery.
So Battlefields.Org can parse it out this way and with a word cloud that says “States” is the most-used word, not slavery, but again, it’s disingenuous. The right that each southern state wanted to assert in all situations and around the country and the world was … African negro slavery. Period.
They went to war to preserve their right to own African negros as slaves in perpetuity. To Andrew Jackson’s heirs here in Donelson/Hermitage, they fully believed that African negros would continue to be slaves working cotton fields along the Stones River in 1860, 1890, 1950, and even 2019 and beyond.
It really is that simple. There are multiple “reasons,” but each reason is a reason because it directly relates to owning African negros as slaves.
And therefore, the 11 states separated themselves in an effort to preserve slavery; they committed treason, went to war and created a million American casualties and utterly failed, thank God, to preserve their peculiar institution. They have never ceased however, even after getting thoroughly kicked in the balls and sent running home to mommy, licking their wounds and keeping the freed African negroes down, to operate, with waxing and waning success and effort, to resurrect the same old arguments, rehashed and rehashed.
White supremacy and domestic terrorism is epidemic and a singular gift of the varied framers of “Articles of Secession” throughout the south all those years ago.
At any rate, here are the money quotes from the four articles of secession of the states of Georgia, Mississippi, South Carolina, Texas and Virginia. Georgia and South Carolina are particularly verbose and yawn-inducing. They are catalogues of grievances, great and petty. Virginia is short and sweet: The Brits tried to make us do some stuff and we left. Now the antislavery power is trying to force us to do some stuff, so we’re leaving again. But ultimately it all amounts to: “The Northern people are being mean to us and they’re going to make us give up our negroes .” Yeesh.
“The people of Georgia having dissolved their political connection with the Government of the United States of America, present to their confederates and the world the causes which have led to the separation. For the last ten years we have had numerous and serious causes of complaint against our non-slave-holding confederate States with reference to the subject of African slavery. They have endeavored to weaken our security, to disturb our domestic peace and tranquility, and persistently refused to comply with their express constitutional obligations to us in reference to that property, and by the use of their power in the Federal Government have striven to deprive us of an equal enjoyment of the common Territories of the Republic. … “While the subordination and the political and social inequality of the African race was fully conceded by all, it was plainly apparent that slavery would soon disappear from what are now the non-slave-holding States of the original thirteen. The opposition to slavery was then, as now, general in those States and the Constitution was made with direct reference to that fact. But a distinct abolition party was not formed in the United States for more than half a century after the Government went into operation. The main reason was that the North, even if united, could not control both branches of the Legislature during any portion of that time. … “We had acquired a large territory by successful war with Mexico; Congress had to govern it; how, in relation to slavery, was the question then demanding solution. This state of facts gave form and shape to the anti-slavery sentiment throughout the North and the conflict began. Northern anti-slavery men of all parties asserted the right to exclude slavery from the territory by Congressional legislation and demanded the prompt and efficient exercise of this power to that end. This insulting and unconstitutional demand was met with great moderation and firmness by the South. … “They raised their standard in 1856 and were barely defeated. They entered the Presidential contest again in 1860 and succeeded. “The prohibition of slavery in the Territories, hostility to it everywhere, the equality of the black and white races, disregard of all constitutional guarantees in its favor, were boldly proclaimed by its leaders and applauded by its followers. … “For twenty years past the abolitionists and their allies in the Northern States have been engaged in constant efforts to subvert our institutions and to excite insurrection and servile war among us. They have sent emissaries among us for the accomplishment of these purposes. Some of these efforts have received the public sanction of a majority of the leading men of the Republican party in the national councils, the same men who are now proposed as our rulers. These efforts have in one instance led to the actual invasion of one of the slave-holding States, and those of the murderers and incendiaries who escaped public justice by flight have found fraternal protection among our Northern confederates. … “Because by their declared principles and policy they have outlawed $3,000,000,000 of our property in the common territories of the Union; put it under the ban of the Republic in the States where it exists and out of the protection of Federal law everywhere; because they give sanctuary to thieves and incendiaries who assail it to the whole extent of their power, in spite of their most solemn obligations and covenants; because their avowed purpose is to subvert our society and subject us not only to the loss of our property but the destruction of ourselves, our wives, and our children, and the desolation of our homes, our altars, and our firesides. To avoid these evils we resume the powers which our fathers delegated to the Government of the United States, and henceforth will seek new safeguards for our liberty, equality, security, and tranquillity.” Approved, Tuesday, January 29, 1861
Articles of Secession, State of Georgia
“A Declaration of the Immediate Causes which Induce and Justify the Secession of the State of Mississippi from the Federal Union.” “In the momentous step which our State has taken of dissolving its connection with the government of which we so long formed a part, it is but just that we should declare the prominent reasons which have induced our course. “Our position is thoroughly identified with the institution of slavery– the greatest material interest of the world. Its labor supplies the product which constitutes by far the largest and most important portions of commerce of the earth. These products are peculiar to the climate verging on the tropical regions, and by an imperious law of nature, none but the black race can bear exposure to the tropical sun. These products have become necessities of the world, and a blow at slavery is a blow at commerce and civilization. That blow has been long aimed at the institution, and was at the point of reaching its consummation. There was no choice left us but submission to the mandates of abolition, or a dissolution of the Union, whose principles had been subverted to work out our ruin. “It has grown until it denies the right of property in slaves, and refuses protection to that right on the high seas, in the Territories, and wherever the government of the United States had jurisdiction. … “It refuses the admission of new slave States into the Union, and seeks to extinguish it by confining it within its present limits, denying the power of expansion. “It tramples the original equality of the South under foot. “It has nullified the Fugitive Slave Law in almost every free State in the Union, and has utterly broken the compact which our fathers pledged their faith to maintain. “It advocates negro equality, socially and politically, and promotes insurrection and incendiarism in our midst. “It has enlisted its press, its pulpit and its schools against us, until the whole popular mind of the North is excited and inflamed with prejudice. “It has made combinations and formed associations to carry out its schemes of emancipation in the States and wherever else slavery exists. “It seeks not to elevate or to support the slave, but to destroy his present condition without providing a better. “It has invaded a State, and invested with the honors of martyrdom the wretch whose purpose was to apply flames to our dwellings, and the weapons of destruction to our lives. “It has broken every compact into which it has entered for our security. “It has given indubitable evidence of its design to ruin our agriculture, to prostrate our industrial pursuits and to destroy our social system. “It knows no relenting or hesitation in its purposes; it stops not in its march of aggression, and leaves us no room to hope for cessation or for pause. “It has recently obtained control of the Government, by the prosecution of its unhallowed schemes, and destroyed the last expectation of living together in friendship and brotherhood. “Utter subjugation awaits us in the Union, if we should consent longer to remain in it. It is not a matter of choice, but of necessity. We must either submit to degradation, and to the loss of property worth four billions of money, or we must secede from the Union framed by our fathers, to secure this as well as every other species of property. For far less cause than this, our fathers separated from the Crown of England.”
Articles of Secession, State of Mississippi
“The Constitution of the United States, in its fourth Article, provides as follows: “No person held to service or labor in one State, under the laws thereof, escaping into another, shall, in consequence of any law or regulation therein, be discharged from such service or labor, but shall be delivered up, on claim of the party to whom such service or labor may be due.” “This stipulation was so material to the compact, that without it that compact would not have been made. The greater number of the contracting parties held slaves, and they had previously evinced their estimate of the value of such a stipulation by making it a condition in the Ordinance for the government of the territory ceded by Virginia, which now composes the States north of the Ohio River. “The same article of the Constitution stipulates also for rendition by the several States of fugitives from justice from the other States. “The General Government, as the common agent, passed laws to carry into effect these stipulations of the States. For many years these laws were executed. But an increasing hostility on the part of the non-slaveholding States to the institution of slavery, has led to a disregard of their obligations, and the laws of the General Government have ceased to effect the objects of the Constitution. The States of Maine, New Hampshire, Vermont, Massachusetts, Connecticut, Rhode Island, New York, Pennsylvania, Illinois, Indiana, Michigan, Wisconsin and Iowa, have enacted laws which either nullify the Acts of Congress or render useless any attempt to execute them. In many of these States the fugitive is discharged from service or labor claimed, and in none of them has the State Government complied with the stipulation made in the Constitution. The State of New Jersey, at an early day, passed a law in conformity with her constitutional obligation; but the current of anti-slavery feeling has led her more recently to enact laws which render inoperative the remedies provided by her own law and by the laws of Congress. In the State of New York even the right of transit for a slave has been denied by her tribunals; and the States of Ohio and Iowa have refused to surrender to justice fugitives charged with murder, and with inciting servile insurrection in the State of Virginia. Thus the constituted compact has been deliberately broken and disregarded by the non-slaveholding States, and the consequence follows that South Carolina is released from her obligation. “The General Government, as the common agent, passed laws to carry into effect these stipulations of the States. For many years these laws were executed. But an increasing hostility on the part of the non-slaveholding States to the institution of slavery, has led to a disregard of their obligations, and the laws of the General Government have ceased to effect the objects of the Constitution. The States of Maine, New Hampshire, Vermont, Massachusetts, Connecticut, Rhode Island, New York, Pennsylvania, Illinois, Indiana, Michigan, Wisconsin and Iowa, have enacted laws which either nullify the Acts of Congress or render useless any attempt to execute them. In many of these States the fugitive is discharged from service or labor claimed, and in none of them has the State Government complied with the stipulation made in the Constitution. The State of New Jersey, at an early day, passed a law in conformity with her constitutional obligation; but the current of anti-slavery feeling has led her more recently to enact laws which render inoperative the remedies provided by her own law and by the laws of Congress. In the State of New York even the right of transit for a slave has been denied by her tribunals; and the States of Ohio and Iowa have refused to surrender to justice fugitives charged with murder, and with inciting servile insurrection in the State of Virginia. Thus the constituted compact has been deliberately broken and disregarded by the non-slaveholding States, and the consequence follows that South Carolina is released from her obligation. … “On the 4th day of March next, this party will take possession of the Government. It has announced that the South shall be excluded from the common territory, that the judicial tribunals shall be made sectional, and that a war must be waged against slavery until it shall cease throughout the United States. “The guaranties of the Constitution will then no longer exist; the equal rights of the States will be lost. The slaveholding States will no longer have the power of self-government, or self-protection, and the Federal Government will have become their enemy. “Sectional interest and animosity will deepen the irritation, and all hope of remedy is rendered vain, by the fact that public opinion at the North has invested a great political error with the sanction of more erroneous religious belief.” Adopted December 20, 1860
Article of Secession, South Carolina
“Texas abandoned her separate national existence and consented to become one of the Confederated Union to promote her welfare, insure domestic tranquility and secure more substantially the blessings of peace and liberty to her people. She was received into the confederacy with her own constitution, under the guarantee of the federal constitution and the compact of annexation, that she should enjoy these blessings. She was received as a commonwealth holding, maintaining and protecting the institution known as negro slavery– the servitude of the African to the white race within her limits– a relation that had existed from the first settlement of her wilderness by the white race, and which her people intended should exist in all future time. Her institutions and geographical position established the strongest ties between her and other slave-holding States of the confederacy. Those ties have been strengthened by association. But what has been the course of the government of the United States, and of the people and authorities of the non-slave-holding States, since our connection with them? “The controlling majority of the Federal Government, under various pretences and disguises, has so administered the same as to exclude the citizens of the Southern States, unless under odious and unconstitutional restrictions, from all the immense territory owned in common by all the States on the Pacific Ocean, for the avowed purpose of acquiring sufficient power in the common government to use it as a means of destroying the institutions of Texas and her sister slaveholding States. “By the disloyalty of the Northern States and their citizens and the imbecility of the Federal Government, infamous combinations of incendiaries and outlaws have been permitted in those States and the common territory of Kansas to trample upon the federal laws, to war upon the lives and property of Southern citizens in that territory, and finally, by violence and mob law, to usurp the possession of the same as exclusively the property of the Northern States. “The Federal Government, while but partially under the control of these our unnatural and sectional enemies, has for years almost entirely failed to protect the lives and property of the people of Texas against the Indian savages on our border, and more recently against the murderous forays of banditti from the neighboring territory of Mexico; and when our State government has expended large amounts for such purpose, the Federal Government has refuse reimbursement therefor, thus rendering our condition more insecure and harassing than it was during the existence of the Republic of Texas. … “The States of Maine, Vermont, New Hampshire, Connecticut, Rhode Island, Massachusetts, New York, Pennsylvania, Ohio, Wisconsin, Michigan and Iowa, by solemn legislative enactments, have deliberately, directly or indirectly violated the 3rd clause of the 2nd section of the 4th article [the fugitive slave clause] of the federal constitution, and laws passed in pursuance thereof; thereby annulling a material provision of the compact, designed by its framers to perpetuate the amity between the members of the confederacy and to secure the rights of the slave-holding States in their domestic institutions– a provision founded in justice and wisdom, and without the enforcement of which the compact fails to accomplish the object of its creation. Some of those States have imposed high fines and degrading penalties upon any of their citizens or officers who may carry out in good faith that provision of the compact, or the federal laws enacted in accordance therewith. … “In all the non-slave-holding States, in violation of that good faith and comity which should exist between entirely distinct nations, the people have formed themselves into a great sectional party, now strong enough in numbers to control the affairs of each of those States, based upon an unnatural feeling of hostility to these Southern States and their beneficent and patriarchal system of African slavery, proclaiming the debasing doctrine of equality of all men, irrespective of race or color– a doctrine at war with nature, in opposition to the experience of mankind, and in violation of the plainest revelations of Divine Law. They demand the abolition of negro slavery throughout the confederacy, the recognition of political equality between the white and negro races, and avow their determination to press on their crusade against us, so long as a negro slave remains in these States. “For years past this abolition organization has been actively sowing the seeds of discord through the Union, and has rendered the federal congress the arena for spreading firebrands and hatred between the slave-holding and non-slave-holding States. “They have for years past encouraged and sustained lawless organizations to steal our slaves and prevent their recapture, and have repeatedly murdered Southern citizens while lawfully seeking their rendition. “They have invaded Southern soil and murdered unoffending citizens, and through the press their leading men and a fanatical pulpit have bestowed praise upon the actors and assassins in these crimes, while the governors of several of their States have refused to deliver parties implicated and indicted for participation in such offenses, upon the legal demands of the States aggrieved. “They have, through the mails and hired emissaries, sent seditious pamphlets and papers among us to stir up servile insurrection and bring blood and carnage to our firesides. “They have sent hired emissaries among us to burn our towns and distribute arms and poison to our slaves for the same purpose. “They have impoverished the slave-holding States by unequal and partial legislation, thereby enriching themselves by draining our substance. “They have refused to vote appropriations for protecting Texas against ruthless savages, for the sole reason that she is a slave-holding State. “And, finally, by the combined sectional vote of the seventeen non-slave-holding States, they have elected as president and vice-president of the whole confederacy two men whose chief claims to such high positions are their approval of these long continued wrongs, and their pledges to continue them to the final consummation of these schemes for the ruin of the slave-holding States. :We hold as undeniable truths that the governments of the various States, and of the confederacy itself, were established exclusively by the white race, for themselves and their posterity; that the African race had no agency in their establishment; that they were rightfully held and regarded as an inferior and dependent race, and in that condition only could their existence in this country be rendered beneficial or tolerable. “That in this free government all white men are and of right ought to be entitled to equal civil and political rights [emphasis in the original]; that the servitude of the African race, as existing in these States, is mutually beneficial to both bond and free, and is abundantly authorized and justified by the experience of mankind, and the revealed will of the Almighty Creator, as recognized by all Christian nations; while the destruction of the existing relations between the two races, as advocated by our sectional enemies, would bring inevitable calamities upon both and desolation upon the fifteen slave-holding states. “By the secession of six of the slave-holding States, and the certainty that others will speedily do likewise, Texas has no alternative but to remain in an isolated connection with the North, or unite her destinies with the South. … “For these and other reasons, solemnly asserting that the federal constitution has been violated and virtually abrogated by the several States named, seeing that the federal government is now passing under the control of our enemies to be diverted from the exalted objects of its creation to those of oppression and wrong, and realizing that our own State can no longer look for protection, but to God and her own sons– We the delegates of the people of Texas, in Convention assembled, have passed an ordinance dissolving all political connection with the government of the United States of America and the people thereof and confidently appeal to the intelligence and patriotism of the freemen of Texas to ratify the same at the ballot box, on the 23rd day of the present month. “Adopted in Convention on the 2nd day of Feby, in the year of our Lord one thousand eight hundred and sixty-one and of the independence of Texas the twenty-fifth.”
Articles of Secession, State of Texas
“The people of Virginia, in their ratification of the Constitution of the United States of America, adopted by them in Convention on the twenty-fifth day of June, in the year of our Lord one thousand seven hundred and eighty-eight, having declared that the powers granted under the said Constitution were derived from the people of the United States, and might be resumed whensoever the same should be perverted to their injury and oppression; and the Federal Government, having perverted said powers, not only to the injury of the people of Virginia, but to the oppression of the Southern Slaveholding States. “Now, therefore, we, the people of Virginia, do declare and ordain that the ordinance adopted by the people of this State in Convention, on the twenty-fifth day of June, eighty-eight, whereby the Constitution of the United States of America was ratified, and all acts of the General Assembly of this State, ratifying or adopting amendments to said Constitution, are hereby repealed and abrogated; that the Union between the State of Virginia and the other States under the Constitution aforesaid, is hereby dissolved, and that the State of Virginia is in the full possession and exercise of all the rights of sovereignty which belong and appertain to a free and independent State. And they do further declare that the said Constitution of the United States of America is no longer binding on any of the citizens of this State. “This ordinance shall take effect and be an act of this day when ratified by a majority of the votes of the people of this State, cast at a poll to be taken thereon on the fourth Thursday in May next, in pursuance of a schedule to be hereafter enacted. “Done in Convention, in the city of Richmond, on the 17th day of April, in the year of our Lord one thousand eight hundred and sixty-one, and in the eighty-fifth year of the Commonwealth of Virginia.”
Articles of Secession, Commonwealth of Virginia
It’s all quite fascinating, eh? Basically, they’re “<Whine, whine, whine> You’re going to take our slaves, get ’em hopped up, and let ’em rape our women and murder us in our beds, when everyone in the whole world knows that God himself created the African negro to serve the white man. I mean, they get free housing and medical care and food! Anyway, we’re gonna commit treason now and try to destroy the entire country in order to protect our natural racial superiority, which gives us the Christian right to own African negros as property.”
The Civil War’s casus belli is not difficult to figure out. The secesh told us repeatedly why they attempted to do what they did: the ownership of their fellow human beings based on skin color. Perfectly simple.
“Born Yesterday is pretty fabulous. At least until it sinks in that it’s just as applicable today (especially today!) as it was in 1950. In that year, it could have been warning against the House Un-American Activities Committee, which ultimately wrecked lives, but failed. But today, the movie is depressing when you realize that Broderick Crawford’s Harry Brock is in charge of the country, the Senate and the judiciary and is sitting in the White House tweeting.”
From 1950, it’s the wonderful Judy Holliday, Broderick Crawford, William Holden gem, Born Yesterday. (No, not that 1993 crapfest of the same name … how dare they try to “improve” on Judy and Broderick with —gasp— Melanie Griffith, John Goodman, and Don Johnson!)
The « synopsis » of the original, best Born Yesterday, is, per The Movie Database (TMDb):
“Uncouth, loud-mouth junkyard tycoon Harry Brock descends upon Washington D.C. to buy himself a congressman or two, bringing with him his mistress, ex-showgirl Billie Dawn.”
“A tycoon hires a tutor to teach his lover proper etiquette, with unexpected results.”
Born Yesterday is pretty fabulous and much, much more that those paltry synopses reveal. Or it is at least until it sinks in to today’s audience that it’s just as fresh and applicable today (especially today!) as it was in 1950. In that year, the movie warned against the unAmerican activiteis of the U.S. House Un-American Activities Committee, which ultimately wrecked many lives, but failed, while today it pointedly shows that Broderick Crawford’s Harry Brock is in charge of the country, the Senate, and the judiciary and is sitting in the White House rage-tweeting.
In fact, the current ugly age of our country is the alternate ending to Born Yesterday with Judy Holliday silenced, threatened with death and manblamed and William Holden dead or emasculated while Harry Brock gleefully and dementedly flies around destroying the country.
Just as an aside: How much influence did the flying circus that was HUAC have over the 50s? Here’s some tidbits from the era, because what was going on with HUAC deserves some attention:
“TEACHER FIRED “San Mateo, Nov. 17—Thomas D. Hardwick, Burlingame high school journalism teacher, has been fired from his job for refusing to sign the state’s new loyalty oath.”
San Mateo Times, Nov. 17, 1950
And still this stuff was going on 7 years later. This time, the human toll of stamping out ghostly “un-American activities” is more fully highlighted, especially the ordeal of teacher Hardwick, who had to become a factory worker to survive:
“SAN FRANCISCO UPI – Cameras continued to focus today on the House un-American activities committee hearing despite House Speaker Sam Rayburn’s flat announcement in Washington there would be no more television broadcasts. Chairman Francis Walter (D.-Penn.) of the subcommittee shrugged his shoulders and threw up his hands when asked about Rayburn’s announcement. And the TV cameras continued to grind away.
San Mateo Times
“SAN FRANCISCO UPI – Congressmen turned from teachers to other professions today in an un-American activities inquiry already marked by the suicide of a subpoenaed Stanford Scientist and suspension of a radio broadcaster from his job for refusing to testify. A Richmond factory worker who taught in Burlingame High school seven years ago was a reluctant witness yesterday before the House sub-committee on Un-American activities. “But he had a quick reply when asked about the testimony of another witness that he had been a Communist. Thomas Hardwick, 49, declined to answer when asked if he was aware from 1946 up to the present day of a secret Communist group in San Francisco and elsewhere known as the “Professional Cell.” Hardwick said he believed the question was “in an area where Congress is forbidden to legislate” under the First (free press and speech) and the Fifth (self-incrimination) amendments. “Hardwick was dismissed m 1950 from the Burlingame High school faculty for refusing to sign a loyalty oath. “Yesterday’s reluctant witnesses included a San Francisco radio broadcaster, Louis Hartman, 42, also known as Jim Grady, and a television and radio engineer. Hartman, a free lance man on radio station KCBS, refused to answer when asked whether there was a Communist Party professional cell active at Berkeley.
“Just in time to make itself evident as one of the best pictures of this fading year is Columbia’s trenchant screen version of the stage play, “Born Yesterday.” More firm in its social implications than ever it was on the stage and blessed with a priceless performance by rocketing Judy Holliday, this beautifully integrated compound of character study and farce made a resounding entry at the Victoria yesterday.
“On the strength of this one appearance, there is no doubt that Miss Holliday will leap into popularity as a leading American movie star—a spot to which she was predestined by her previous minor triumph in “Adam’s Rib” as the tender young lady from Brooklyn who shot her husband (and stole the show). For there isn’t the slightest question that Miss Holiday brings to the screen a talent for characterization that is as sweetly refreshing as it is rare.
“Playing the wondrous ignoramus that she created on the stage—the lady to whom her crude companion rather lightly refers as a “dumb broad” this marvelously clever young actress so richly conveys the attitudes and the vocal intonations of a native of the sidewalks of New York that it is art. More than that, she illuminates so brightly the elemental wit and honesty of her blankly unlettered young lady that she puts pathos and respect into the role.
“But it must be said in the next breath that Miss Holliday doesn’t steal this show—at least, not without a major tussle—for there is a lot of show here to steal. Not only has the original stage play of Garson Kanin been preserved by Screenwriter Albert Mannheimer in all of its flavorsome detail—and that, we might add, is a triumph of candor and real adapting skill—but George Cukor has directed with regard for both the humor and the moral. And Broderick Crawford has contributed a performance as the merchant of junk who would build himself up as a tycoon that fairly makes the hair stand on end.
“Where this role was given some humor and even sympathy on the stage, in the memorable performance of Paul Douglas, Mr. Crawford endows it with such sting—such evident evil, corruption, cruelty and arrogance—that there is nothing amusing or appealing about this willful, brutish man. He is, indeed, a formidable symbol of the menace of acquisitive power and greed against which democratic peoples must always be alert. And that’s why his thorough comeuppance, contrived by his newly enlightened “broad” amid the monuments of serene and beautiful Washington, is so winning and wonderful. In short, a more serious connotation has been given the role on the screen and Mr. Crawford plays it in a brilliantly cold and forceful style.”
The New York Times
“He is, indeed, a formidable symbol of the menace of acquisitive power and greed against which democratic peoples must always be alert.” A perfect description of Born Yesterday‘s villain … and Donald Trump both.
At any rate, I highly recommend this one. I took off half a star for the flag-waving, O Beautiful, misty-eyed crap here and there; but it actually doesn’t detract much, it just points out how much we’ve lost.
“Born Yesterday,” another Academy entry, was previewed before the usual starstudded audience this week. It is a faithful adaptation of the Garson Kanin play about the junk dealer’s babe who gets educated by a newspaperman. The story should be familiar to a large segment of the public by now and it is enhanced by some scenes of Washington landmarks. The show comes off as one of the best comedies in recent seasons. This is largely due to a sparkling portrayal of Judy Holliday as the dumb blonde. She is wonderfully funny. Only drawback is that her lines are sometimes inaudible. Broderick Crawford plays the junk man with full voice all the way and William Holden is a quietly competent view of the newspaperman.”
Bob Thomas, the Associated Press
Paul: A world full of ignorant people is too dangerous to live in.
Billie Dawn: He always used to say, “Never do nothing you wouldn’t want printed on the front page of The New York Times.”
Harry Brock: What’s a peninsula? Billie Dawn: Shhhh. Harry Brock: Don’t gimme that “shush.” You think you’re so smart, huh – what’s a peninsula? Paul Verrall: It’s a… Harry Brock: Not you, her. Billie Dawn: It’s that new medicine…
Billie: Because when ya steal from the government, you’re stealing from yourself, ya dumb ox.
Congressman Norval Hedges: I said to Sam only last week this country will soon to have to decide if the people are going to run the government, or the government is going to run the people.
Harry Brock: WHAT’S GOIN’ ON AROUND HERE? Jim Devery: A revolution.
Harry Brock: How d’ya like that! He could’ve had a hundred grand. She could’ve had me. Both wind up with nothin’… Dumb chump!… Crazy broad! Jim Devery: [raises a glass as a toast] To all the dumb chumps and all the crazy broads, past, present, and future, who thirst for knowledge and search for truth… who fight for justice and civilize each other… and make it so tough for crooks like you… [Harry stares at him angrily] Jim Devery: …and me.
Harry Brock: Shut up! You ain’t gonna be tellin’ nobody nothin’ pretty soon! Billie Dawn: DOUBLE NEGATIVE! Right? Paul Verrall: Right.
Billie: Would you do me a favor, Harry? Harry Brock: What? Billie: Drop dead!
Born Yesterday. 1950. TCM. English. George Cukor (d). Garson Kanin, Albert Mannheimer (w). Judy Holliday, Broderick Crawford, William Holden, Howard St. John, Frank Otto, Larry Oliver, Barbara Brown, Grandon Rhodes, Claire Carleton. (p). Friedrich Hollaender (m). Joseph Walker (c).
Not much can be done about the traffic volume as long as Metro and the State are devoid of ideas or even the hint of wanting to think about possible solutions. Nashville is drowning in traffic, but no one has the will or money to do anything about it.
I don’t write much about Donelson, our little slice of Music City. But here’s a couple of recent exceptions, one sort of optimistic and nice, the other more caustic and negative.
For a bedroom community which has never really had much of an identity, Donelson is currently attempting to remake itself with at least a bit of one.
The Donelson station developments aim to create the 21st century version of the old downtown, which didn’t ever exist here. This new downtown will still be basically a strip mall of businesses, just with a spiffy, fresh new design.
Donelson is like most of the houses in its borders: Buildings from the 1950s whose owners are dying out, so the children and grandchildren are taking over and either selling them or freshening them up. Hopefully, it will result in a more pleasant place to live and breathe in, although there will always be two negatives: Lebanon Pike and its sprawling ugliness and the overhead landing pattern which puts planes low and loud over us as they swing into runways 20 Left and Right.
No one will probably ever be talking or protesting or doing anything about the overhead noise, but at least some folks are doing something about ugliness. We hope there are more positives to come, especially along Lebanon. Not much can be done about the traffic volume as long as Metro and the State are devoid of ideas or even the hint of wanting to think about possible solutions. Nashville is drowning in traffic, but no one has the will or money to do anything about it. Beefing up the Music City Star would help immensely, but that’s also problematic at best.Not much can be done about the traffic volume as long as Metro and the State are devoid of ideas or even the hint of wanting to think about possible solutions. Nashville is drowning in traffic, but no one has the will or money to do anything about it.No one will probably ever be talking or protesting or doing anything about the overhead noise, but at least some folks are doing something about ugliness. We hope there are more positives to come, especially along Lebanon. Not much can be done about the traffic volume as long as Metro and the State are devoid of ideas or even the hint of wanting to think about possible solutions. Nashville is drowning in traffic, but no one has the will or money to do anything about it. Beefing up the Music City Star would help immensely, but that’s also problematic at best.
For the foreseeable future, then, we’ll take some cosmetic change and hope the community’s groups and businesses continue to try to improve the community’s image, at least. Whatever happens will surely be an improvement.
On the other hand, a different hot take: Development around the Donelson Music City Star train station is proceeding apace; two projects are underway to transform the seen-better-days corner of Lebanon and Donelson pikes. The first is Donelson Plaza, to the north of the station; the 1961 building is getting a complete face lift, with the eastern half is being completely rebuilt from scratch to serve as the new Donelson Branch of the Nashville Public Library.
The Plaza will feature the library as well as shops, restaurants and apartments, with the idea being that you can live at the Plaza and walk/bike to the buses/trains at the station and never need a car. No word on whether WeGo will be able to boost bus and train service to the center, or if we’ll see the more probable nightmare scenario of being constantly in ever greater amounts of traffic.
(Side note: Frequently, drivers exiting the station in the evenings are desperate to avoid Lebanon Pike and its intersection with Donelson Pike. So, they use a short, rather asininely-designed (is that a word?) road that heads east out of the parking lot behind Fifty Forward, ending on Donelson and completely avoiding two stoplights and lengthy waits. Only problem: That connector is supposed to be one-way, westbound only. Never mind it’s wide enough for two cars and that someone is just being, well, asinine over it, a police car was sitting there are on the evening commute on a Friday night, just determined to up the asshole quotient and send commuters to add to the chaos and traffic on Lebanon which is stacked up all the way back to downtown. Brilliant, no?
Many cities would just make it a one-way west into the parking lot in the morning, and one-way east out of the parking lot in the evening, but that would be too simple and oh-fend someone. No word on how much a ticket for such common sensical motor vehicle “violations” will set you back, but it’s probably attractive for the city.)
But back to the main event: The 1961 Donelson Plaza was purchased by Holladay Partners, which is developing the 12 acres as a new urban town center—the downtown Donelson never had, and which has been completely abandoned by towns and cities around the country, but we digress. They hope the redo will result in green space, restaurants, retail shops and apartments. Also not mentioned: How much per month will a one-bedroom unit set you back and what will happen to the center’s funky and clunky thrift stores, the bartending school, the bowling alley, etc.? Well, a partner in the developer’s office is on record thusly: “We do have existing tenants leasing and, of course, we will honor these. As people move out and it gets turned over, this will determine our next phase.”
In other words, we’ll let ‘em stay, but we’ll kick ‘em out and jack up the rents and put something high dollar in there as soon as possible so the “wrong” kind of Hippy Donelsonite won’t be shopping there. We must wonder if the plaza will feature the “architectural asshole” designs popping up everywhere: “public” seating that is intentionally so uncomfortable or designed in such a way as to prevent what the British call “rough sleepers,” and we call “homeless,” among other things. Ah well, time will tell.
The developer itself will anchor 14,000 square feet of office space on two levels. What is being displaced for that is another aspect which goes unmentioned.
Meanwhile, diagonally across the intersection and across the tracks menacing the bowling alley is a hulking mass of apartment buildings going up to four stories and packed into a tiny space along the tracks. One wonders how much a one-bedroom in that complex will cost and whether there is any additional sound proofing and plaster and ceiling protection for all the Music City Star trains which rumble through blasting their horns for the Donelson Pike crossing from as early as 7:15 a.m.
No matter, there will be some green space and a pool and you can walk to the train station (if you can summon the courage to cross both Donelson Pike and the railroad tracks. We’ve watched on more than one occasion as some idiot’s sense of self-importance prompted him to weave between the crossing arms with the train’s arrival imminent, speeding on his merry way. If walkers and bikers are now to be added to the mix, well, could get interesting.
The one exit onto Donelson is sure to be a joy as things are brought to a halt by southbound apartment dwellers trying to turn left into the driveway cause backups at 5 p.m. across the tracks and back up to Lebanon. Personally, I wouldn’t risk life and limb to live there, stacked four high in boxes with balconies that feature the fantastic combined noise of KBNA 20L airliner arrivals overhead, Music City Star trains blowing whistles below, and the screaming tires and honking of motorists trapped on the tracks while my neighbors try to make it into their new boxes. It’s not an attractive prospect for me, but what do I know? I’m sure it will all be just fine and dandy when these projects get built out just in time for the next big recessional flop in 2020.
Progress is great and all. But progress via developer is often thoughtless and crude. As far as we can tell, developers won’t be paying for better traffic control near either project and nothing will change in anticipation of the much greater numbers of cars along an already over-stretched section of Lebanon and Donelson pikes. Perhaps all will be well. We’re not going to hold our breath here.
“Senate Republicans are setting a dangerous precedent that threatens the republic itself. I’m not naive enough to think they would hold Democratic presidents to the low standard they’ve applied to Trump, but all future presidents will be able to point to Trump to justify …”
Walter Shaub (@waltshaub) is an attorney and the former director (9-Jan-13 to 19-Jul-17) of the U.S. Office Government Ethics, which exists to “Provid[e] leadership in the executive branch to prevent conflicts of interest.” That’s a mission which, since January 2017, is going completely unfulfilled and, in fact, is being subverted beyond all belief.
After leaving the USOGE in the summer of 2017, Shaub “joined the Washington D.C.-based election law organization the Campaign Legal Center (CLC) as Senior Director, Ethics. At CLC he has focused on protecting what he calls the erosion of democratic norms that the country has witnessed in his time,” according to Wikipedia. The last six months of his tenure at USOGE were also the first six months of the Godfather’s tenure and therefore was when he witnessed the complete takeover of the democracy and its renovation into a kleptocracy headed by a old, narcissistic, lunatic, mob boss. So he’s seen some things and knows whereof he speaks.
Shaub wrote today a concise listing of the multiple points of illegality, theft, unConstitutionality, incompetence, petulance, and general assholery committed by this mobster and his cronies, supported fully and without reservation by the God and Guns evangelical crowd, of which I’m proud to say I’m an EX member, who was in that cultish atmosphere from birth, not by choice and left as soon as I gracefully could. But I digress.
“Senate Republicans are setting a dangerous precedent that threatens the republic itself. I’m not naive enough to think they would hold Democratic presidents to the low standard they’ve applied to Trump, but all future presidents will be able to point to Trump to justify:
“a. Soliciting foreign attacks on our elections; b. Using federal appropriations or other resources to pressure foreign governments to help them win reelection; c. Implementing an across-the-board refusal to comply with any congressional oversight at all; d. Firing the heads of the government’s top law enforcement agencies for allowing investigations of the president; e. Retaliating against whistleblowers and witnesses who testify before Congress; f. Investigating investigators who investigate the president; g. Attempting to retaliate against American companies perceived as insufficiently supportive of the president; h. Attempting to award the president’s own company federal contracts; i. Using personal devices, servers or applications for official communications; j. Communicating secretly with foreign leaders, with foreign governments knowing things about White House communications that our own government doesn’t know; k. Abandoning steadfast allies abruptly without prior warning to Congress to cede territory to Russian influence; l. Destroying or concealing records containing politically damaging information; m. Employing white nationalists and expressing empathy for white nationalists after an armed rally in which one of them murdered a counter protester and another shot a gun into a crowd; n. Disseminating Russian disinformation; o. Covering for the murder of a journalist working for an American news outlet by a foreign government that is a major customer of the president’s private business; p. Violating human rights and international law at our border; q. Operating a supposed charity that was forced to shut down over its unlawful activities; r. Lying incessantly to the American people; s. Relentlessly attacking the free press; t. Spending 1/4 of days in office visiting his own golf courses and 1/3 of them visiting his private businesses; u. Violating the Emoluments Clauses of the U.S. Constitution; w. Misusing the security clearance process to benefit his children and target perceived enemies; x. Drawing down on government efforts to combat domestic terrorism in order to appease a segment of his base; y. Refusing to aggressively investigate and build defenses against interference in our election by Russia, after the country helped him win an election; z. Engaging in a documented campaign of obstruction of a Special Counsel’s investigation. aa. Lying about a hush money payoff and omitting his debt to his attorney for that payoff from his financial disclosure report (which is a crime if done knowingly and willfully); bb. Coordinating with his attorney in connection with activities that got the attorney convicted of criminal campaign finance violations; cc. Interfering in career personnel actions, which are required by law to be conducted free of political influence; dd. Refusing to fire a repeat Hatch Act offender after receiving a recommendation of termination from the president’s own Senate-confirmed appointee based on dozens of violations; ee. Calling members of Congress names and accusing them of treason for conducting oversight; ff. Attacking states and private citizens frequently and in terms that demean the presidency (see Johnson impeachment); gg. Using the presidency to tout his private businesses and effectively encouraging a party, candidates, businesses and others to patronize his business; hh. Causing the federal government to spend hundreds of thousands of dollars at his businesses and costing the American taxpayers well over $100 million on boondoggle trips to visit his properties; ii. Hosting foreign leaders at his private businesses; jj. Calling on the Justice Department to investigate political rivals; kk. Using the presidency to endorse private businesses and the books of various authors as a reward for supporting the president; ll. Engaging in nepotism based on a flawed OLC opinion; mm. Possible misuse of appropriated funds by reallocating them in ways that may be illegal; nn. Repeatedly criticizing American allies, supporting authoritarian leaders around the world, and undermining NATO; and oo. etc. “None of the Republican Senators defending Trump could say with a straight face that they would tolerate a Democratic president doing the same thing. But, given this dangerous precedent, they may have no choice if they ever lose control of the Senate. Is that what they want? “And this is only what Trump did while the remote threat of Congressional oversight existed. If the Senate acquits him, he will know for certain there is nothing that could ever lead to Congress removing him from office. And what he does next will similarly set precedents. At this point, I would remind these unpatriotic Senators of the line “you have a republic if you can keep it,” but a variation on this line may soon be more apt when Trump redoubles his attack on our election: You have a republic, if you can call this a republic.”
Walter Shaub via Twitter
We cannot indeed call this a republic; it is a shambolic kleptocratic theocracy. And our last one, remote chance of restoration will come next November. If we’re not out there with the numbers just posted today in Hong Kong’s election (72% or so), then our democratic republic will fall and, given what is likely to be a similarly shambolic kleptocracy in Great Britain, democracy, decency and the rule of law will be largely at an end on the planet, ending the final, very slim chance we have of mitigating accelerating climate catastrophe.
A “cancer on the presidency” has metastasized “hugely.”
“Turkish-backed forces fighting Kurdish militias in north-east Syria have been accused of committing war crimes, with acts of brutality surfacing on mobile phone footage.
“The UN has warned that Turkey could be held responsible for the actions of its allies, while Turkey has promised to investigate.
“Bearded men shout ‘Allahu Akbar [God is the Greatest]’. One captures the scene on his smartphone and says: ‘We are mujahedeen [holy warriors] from Faylaq Al-Majd [Glory Corps] battalion.’ In the background are the corpses of Kurdish fighters.
“Further away, a group of men plant their feet on a woman’s bloodied body. One says she is a ‘whore’.
‘The gruesome footage is much like that produced by the ultra-violent Islamic State (IS) group.
“Yet the men in this video are not IS militants, but rather fighters for a rebel alliance known as the Syrian National Army, trained, equipped and paid for by a Nato member, Turkey. They are under the command of the Turkish army.
‘The video was filmed on 21 October in northern Syria. The woman beneath the fighters’ feet is Amara Renas, a member of an all-woman unit of Kurdish fighters, the YPJ, a force that played a significant role in defeating IS in Syria.
Notice how the BBC calls the video “brutal” and “gruesome,” words which are not in quotes or alleged. The video is not allegedly brutal and gruesome, it IS brutal and gruesome, says the BBC. Yet they get nervous about calling Turkish jihadist allies war criminals, even though the crimes are very much graphically shown in the brutal, gruesome video.
More importantly than all this, these war crimes are being committed against Kurdish women fighters specifically, and against our Kurdish allies generally. After the mobster-in-chief in the White House unleashed all this.
Not only should he and his administration be impeached and removed for high crimes and misdemeanors, he should also be held personally responsible for these war crimes. Impeachment is certain, but removal is unlikely, and seeing him tried for war crimes is a fantasy.
After all, the last time we had a chief executive who unleashed war crimes (remember Abu Graib anyone?), nothing happened. That president is just sitting around painting pictures of hot dogs while lolling in his bathtub.
Still, there is value in keeping a chronicle of crimes and never forgetting them. This current stain on a house that is never free of stains in some form needs to be remembered and prevented. And we should all start using quotes when referring to executive mansion: The “White” House has been various shades of blood red from its inception.
RIP Amara Renas and all the other unknown women and men and children who fought on our behalf as well as their own. May you haunt our collective memory forever.
«One of the most brilliant things I’ve seen in a long time». Steve Bell and The Guardian continue to hit these out of the park. Go there and read, donate, support. They cover the U.S. as, if not more, effectively than the Times and Post or any other American news organization. Not that those exist anymore, but still.
Far more importantly, RIP Kurds. From you stretching back all the way to Columbus is a long, unbroken trail of genocide. Perhaps things will be just a tiny, marginally bit better in 2021. Knowing other Americans as I do, I’m not holding my breath. I am sincerely sorry that you will not have breath to hold until 2021. What a treasonous betrayal.
“Regardless of whether you saw it then as scandalous that such perversions were being exhibited in public theaters or whether you see it now as being stereotypical, offensive and overly focused on white, male, straight actors and queer panics and Italian stereotypes, to wit … offensive!! … there is much to actually be loved here.”
From 1948: That fabulous film noir, The Big Clock with Ray Milland, Charles Laughton, Elsa Lanchester and Harry Morgan.
“Stroud, a crime magazine’s crusading editor, has to postpone a vacation with his wife (again) when a glamorous blonde is murdered and he is assigned by his publishing boss Janoth to find the killer. As the investigation proceeds to its conclusion, Stroud must try to disrupt his ordinarily brilliant investigative team as they increasingly build evidence (albeit wrong) that he is the killer.”
IMDb, (which is, as I always say, one of the many tentacles of the suffocating Amazonia totalitarian state in which we live), has «a slightly different way of putting it»:
“When powerful publishing tycoon Earl Janoth commits an act of murder at the height of passion, he cleverly begins to cover his tracks and frame an innocent man whose identity he doesn’t know but who just happens to have contact with the murder victim. That man is a close associate on his magazine whom he enlists to trap this ‘killer’ — George Stroud. It’s up to George to continue to ‘help’ Janoth, to elude the police and to find proof of his innocence and Janoth’s guilt.”
“… For this is a dandy clue-chaser of the modern chromium-plated type, but it is also an entertainment which requires close attention from the start.
“Actually, in the manner of the best detective fiction these days, it isn’t a stiff and stark whodunit activated around some stalking cop. Nary a wise-guy policeman clutters up the death-room or the clues. As a matter of fact, the policemen are not called in until the end. And the fellow who does the murder is known by the audience all along.
“He’s a dynamic publishing magnate, ruler of a realm of magazines and a double-dyed rogue who runs his business on the split-tick of a huge electric clock. In a mad, jealous moment, he kills his sweetie, a not very temperate young thing, and then calls upon the cagey editor of his crime magazine to find the man. Two circumstances make this ticklish. The clues have been rigged to make it look as though the murderer were another fellow. And the other fellow is—the editor.
“Out of this cozy situation of a guy trying to square himself, even though he is thoroughly innocent and knows perfectly who the murderer is, Scriptwriter Jonathan Latimer and Director John Farrow have fetched a film which is fast-moving, humorous, atmospheric and cumulative of suspense. No doubt there are holes in the fabric—even a rip or two, perhaps—and the really precision-minded are likely to spot them the first time around. But the plot moves so rapidly over them and provides such absorbing by-play that this not-too-gullible observer can’t precisely put his finger upon one. (That’s why we urge your close attention—just to see if there is anything to catch.)
“As the self-protection clue-collector, Ray Milland does a beautiful job of being a well-tailored smoothie and a desperate hunted man at the same time. Charles Laughton is characteristically odious as the sadistic publisher and George Macready is sleek as his henchman, while Maureen O’Sullivan is sweet as Ray’s nice wife. Exceptional, however, are several people who play small but electric character roles: Elsa Lanchester as a crack-pot painter and Douglas Spencer as a barman, best of all. Miss Lanchester is truly delicious with her mad pace and her wild, eccentric laugh.”
The New York Times
It is, indeed, a wonderful picture and Charles Laughton and his wife Elsa Lanchester are fabulous.
Earl Janoth: [talking on intercom to Steve Hagen] “On the fourth floor – in the broom closet – a bulb has been burning for several days. Find the man responsible, dock his pay.”
The Big Clock
Louise Patterson: [after George Stroud outbids her for a picture] “Isn’t it a pity… the wrong people always have money.”
Don Klausmeyer: “I’m Don Klausmeyer, from Artways magazine.” Louise Patterson: “Yes. [giggles] Oh, yes. Didn’t you review my show in ’41?” Don Klausmeyer: “I think I did.” Louise Patterson: “Oh, come in, Mr. Klausmann.” Don Klausmeyer: “KlausMEYER.” Louise Patterson: [laughs gleefully] “I’ve been planning to kill you for years.” Don Klausmeyer: “Our organization, the Janoth Publications, is trying to find someone, possibly a collector of your pictures.” Louise Patterson: “So have I for fifteen years.”
Pauline York: “You know, Earl has a passion for obscurity. He won’t even have his biography in ‘Who’s Who’.” George Stroud: “Sure. He doesn’t want to let his left hand know whose pocket the right one is picking.”
George Stroud: “You’re the only blonde in my life.” Georgette Stroud: “I’m a brunette.” George Stroud: “And you’re the only brunette too.”
The Big Clock. 1948. TCM. English. John Farrow (d). Kenneth Fearing, Jonathan Latimer, Harold Goldman (w). Ray Milland, Charles Laughton, Maureen O'Sullivan, George Macready, Rita Johnson, Elsa Lanchester, Harold Vermilyea, Dan Tobin, Harry Morgan, Richard Webb, Elaine Riley, Frank Orth, Lloyd Corrigan, Theresa Harris. (p). Victor Young (m). Daniel L. Fapp, John F. Seitz (c).
“… this is probably the granddaddy of all product placement movies, far more egregious than even Joan Crawford’s conspicuous scattering of Pepsi bottles in Strait Jacket …”
From 1964: A somewhat strange concoction, The Yellow Rolls Royce is a star-studded anthology, a look at the life of, well, a yellow Rolls Royce Phantom during the 1930s and 40s.
“One Rolls-Royce belongs to three vastly different owners, starting with Lord Charles, who buys the car for his wife as an anniversary present. Another owner is Paolo Maltese, a mafioso who purchases the car during a trip to Italy and leaves it with his girlfriend while he returns to Chicago. Later, the car is owned by American widow Gerda, who joins the Yugoslavian resistance against the invading Nazis.”
The New York Times reviewer A.H. Weiler wasn’t terribly kind to this “assembly line job.” He wrote on 14-May-65:
“… ‘The Yellow Rolls-Royce,’ which arrived yesterday at the Music Hall fresh from Metro-Goldwyn-Mayer’s European works, performs, despite its color, opulence and surface polish, largely like an assembly-line job. It is, it should be stressed, a pretty slick vehicle, that is pleasing to the eye and occasionally amusing, but it hardly seems worthy of all the effort and the noted personalities involved in the three glossy but superficial stories that make up this shiny package. One is reminded of the now classic Rolls-Royce advertising slogan, “The loudest noise comes from the clock.”
“‘The Yellow Rolls Royce’ may be a rich, handsome, colorful vehicle. But, aside from its varied passengers, it simply indicates that the Rolls can be pretty rough on romance.”
The New York Times
The most enjoyable part of this vehicle (see what I did there?) is probably the Shirley MacLaine/Alain Delon/George C. Scott/Art Carney story. Scott is a Capone-style 20s gangster, MacLaine is his gun moll, and Delon is her seducer, while Carney gets to drive his boss and the moll around and keep tabs on what Delon is up to while sightseeing in the Rolls. I said enjoyable, but probably meant amused.
TCM accompanied this showing with a short shown in theaters at the time extolling the virtues of the Rolls Royce and its appearance in the forthcoming film. This makes it seem that Rolls Royce had paid millions for a movie-length advertisement, and that’s not far off the mark. There is an attempt to focus on the stories in the anthology, but that yellow car is always in at least the background, ubiquitous.
In other words, this is probably the granddaddy of all product placement movies, far more egregious than even Joan Crawford’s conspicuous scattering of Pepsi bottles in Strait Jacket (see below). The Yellow Rolls Royce is worth watching for the performances of the greats of the Golden Age’s transition into … whatever we call what came once the Golden Age was dead … but the value probably ends there. I gave it four stars simply for those performances by those greats; there’s not much more to it than those, sadly.
Mae Jenkins: [Looking indifferently at the leaning tower of Pisa] “So it leans. So a lot of things lean.” Paolo Maltese: [Turning to Mae] “You ever heard of Galileo, maybe?” Mae Jenkins: “Sure I have heard of Galileo.” Paolo Maltese: [Turning to Joey] “She ever heard of Galileo?” Joey Friedlander: “Nah …” Paolo Maltese: “Five-six hundred years ago, this Galileo dropped two stones off that tower, one big one, and one little one.” Mae Jenkins: “So?” Paolo Maltese: “So he proved the law of gravity or somethin’. I don’t know.” Mae Jenkins: “And brained a couple of citizens, maybe. Big deal.”
The Yellow Rolls Royce
Paolo Maltese: “And this is the girl, my fidanzata, that I am bringing home to meet my folks. Of all the women in the whole world that I can choose from to be my wife, who do I choose? An ignorant slob of a hatcheck girl who thinks Pisa – Piazza del Duomo in Pisa, Joey – is a stopping-off place between hamburger joints.”
The Yellow Rolls Royce. 1964. TCM. English. Anthony Asquith (d). Terence Rattigan (w). Ingrid Bergman, Rex Harrison, Shirley MacLaine, Jeanne Moreau, George C. Scott, Omar Sharif, Alain Delon, Art Carney, Joyce Grenfell, Edmund Purdom, Wally Cox. (p). Riz Ortolani (m). Jack Hildyard (c).
“The songs and dances, Shirley MacLaine and Cita Rivera, et al, were great; it’s just the stuff in between that is less than satisfying.”
From 1968: It’s quite possibly the most depressing musical ever made, Sweet Charity. I’m not sure what this was supposed to be, but it also seems to be the most depressing play Neil Simon ever wrote. And it’s all a piece with the extremely depressing year in which it was made.
“Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her away from her sleazy life. Maybe, just maybe, handsome Oscar will be the one to do it.”
“It seems a little hard to criticise a musical because of the financial circumstances of its heroine. Sweet Charity, though, is the sort of film which sways in its second half, like Funny Girl, towards the unrequited, grin-and-bear-it ending. What Charity Hope Valentine is grinning and bearing is life as a dance-hall hostess (in the Fellini original, on which the stage musical was based, life as a not very successful prostitute); and since the film is set fairly, squarely and lovingly in New York of the rich ‘sixties, there seems no particular reason why its heroine can’t find a line of work that appeals to her more. This is partly a hazard of the sort of musical which takes over the almost serious subject, and in the end tries to come to terms with it in the almost serious way. Plotlines which did for Italy in the 1950s fray badly when dropped down in the middle of all this expensive decoration, so set on making too much of too little.
“And, of course, the dancehall, that useful old Hollywood haunt for mistily reprehensible goings-on, actually comes across as a rather well-conducted establishment, with heroine’s friends Chita Rivera and Paula Kelly (both excellent) bounding about like a couple of genially astringent school prefects. But if Charity, played by Shirley MacLaine in her sharpest innocent-at-large style, really wants to escape, it’s hard to see what is holding her back. …
“One is supposed to find Charity’s plight rather true and touching; and on the whole doesn’t. And it is perhaps tough on Shirley MacLaine that her particular line in rueful, shrewd, precariously hopeful fatalism, though executed as winningly as ever, already suggests a speculation which the film doesn’t care to take up: the heroine of The Apartment almost ten years on, the valiant last of the kooky girls. All the same, the performance bounces, as does the film when it’s looking down the line of morose dance-hall girls (‘Hey, Big Spender’), ambling into Fellini parody in an absurd mock-Roman nightclub, or flinging its dancing girls about a grubby rooftop in a number so nostalgic for older musicals that one is only surprised they don’t burst into ‘New York, New York, it’s a wonderful town.'”
Penelope Houston, The Spectator
“Precariously hopeful fatalism.” That’s a pretty fair, if paradoxical, take on Charity’s life outlook.
The film starts with Charity being dumped (quite literally) by her would-be fiancee and nearly drowning. It proceeds through an obviously doomed night with a celebrity film director, then follows an ultimately, but not so obviously doomed, engagement and ends with a “Keep on the Sunny Side” denouement … “keep your chin up even if it’s been ground into the dirt,” is I guess how I would describe it.
As I said, it’s all surprisingly depressing for a musical, but the late 60s was a depressing decade. The same year as Sweet Charity was released saw the assassinations of MLK and RFK and the end to any dream of a Camelot restoration, plus mass riots and worsening casualties in the pointless failure of the war in Vietnam. That would seem to indicate that a big movie musical would need to provide a necessary uplift to viewers: toe-tapping, heartening, he-gets-the-girl-they-live-happily-ever-after type of stuff. Instead, audiences were treated to a sweet girl being dumped brutally three straight times and musical numbers that seemed to celebrate girls begging for money (“Hey Big Spender …”), jealousy (“If my friends could see me now …”), girls trapped in bad situations (“There’s Gotta Be Something Better Than This …”) and a sense of hopeless wandering (“Where Am I Going? …”). An American in Paris it ain’t (“Our Love is Here to Stay,” “Tra-la-la (This Time It’s Really Love),”I Got Rhythm,” “‘S Wonderful,” etc., etc.), but I suppose that was the difference between 1951 and 1968.
Audiences seemed to agree with the “depressing” assessment; while it cost $20 million to make, it only brought in $8 million at the box office and just about destroyed Universal, which then, so the story goes, forced it to make the successful Airport (1970), a film whose star Burt Lancaster described as “a piece of junk,” but which, according to «Box Office Mojo», made $100,489,151. That one had a happy ending, with the bad guy dead and everyone/everything else saved (Helen Hayes and a Boeing 707), with the notable exception of Dean Martin/Barbara Hale’s marriage.
Shirley MacLaine is wonderful in Sweet Charity, as she has been in pretty much everything she’s ever done. It’s worth noting that a “corny” happy ending was filmed because Bob Fosse feared the studio would want it, but the studio surprised him and decided to keep the original stage musical ending. I think it was the right decision, but regardless of which ending you use, this thing was probably not rescue-able. The songs and dances, Shirley MacLaine and Cita Rivera, et al, were great; it’s just the stuff in between that is less than satisfying.
Charity Hope Valentine: “Wow, this place is sure full of celebrities. I’m the only one in here I’ve never heard of.”
Charity Hope Valentine: “Fickle Finger of Fate!”
Helene: “There ain’t no use flappin’ your wings, ’cause we are stuck in the flypaper of life!”
Vittorio: “Without love, life would have no purpose.”
Oscar Lindquist: “The odds against us are at least a hundred to one.” Charity Hope Valentine: “Those are the best odds I ever had.”
Sweet Charity. 1969. TCM. English. Bob Fosse (d). Neil Simon, Peter Stone, Federico Fellini, Tullio Pinelli, Ennio Flaiano (w). Shirley MacLaine, John McMartin, Ricardo Montalban, Sammy Davis Jr., Chita Rivera, Paula Kelly, Stubby Kaye, Barbara Bouchet, Alan Hewitt, Ben Cy Coleman (m). Robert Surtees (c).