A “good job” according to whom? May I ask when exactly was the last time you were in an elementary school and sat through an entire school day with first graders? I ask because my mother makes this same argument frequently, yet has not been in an actual elementary school building since 1976. Her grandchildren were taught at home so she, therefore, has no experience either visiting a school or evaluating a public school education since 1976.
“The attraction here isn’t really the cultural relic/curiousity value, it’s the variation of the old man meets woman, they hate each other, they clash with sparkling dialogue and then end up together ’til death they do part. This bit has been done to death in Hollywood’s 100+ year run, but it can be freshened and redeemed if the scriptwriter is up to the job.”
“Born Yesterday is pretty fabulous. At least until it sinks in that it’s just as applicable today (especially today!) as it was in 1950. In that year, it could have been warning against the House Un-American Activities Committee, which ultimately wrecked lives, but failed. But today, the movie is depressing when you realize that Broderick Crawford’s Harry Brock is in charge of the country, the Senate and the judiciary and is sitting in the White House tweeting.”
“Senate Republicans are setting a dangerous precedent that threatens the republic itself. I’m not naive enough to think they would hold Democratic presidents to the low standard they’ve applied to Trump, but all future presidents will be able to point to Trump to justify …”
“Regardless of whether you saw it then as scandalous that such perversions were being exhibited in public theaters or whether you see it now as being stereotypical, offensive and overly focused on white, male, straight actors and queer panics and Italian stereotypes, to wit … offensive!! … there is much to actually be loved here.”
“… this is probably the granddaddy of all product placement movies, far more egregious than even Joan Crawford’s conspicuous scattering of Pepsi bottles in Strait Jacket …”
“The songs and dances, Shirley MacLaine and Cita Rivera, et al, were great; it’s just the stuff in between that is less than satisfying.”
“The bonuses here are George Kennedy as a farmhand foreshadowing by 22 years Billy Bob Thornton in 1996’s Swing Blade (“I like them French fried potaters.”), all the Pepsi placement, and Lee Majors in pre-Six Million Dollar Man mode, along with his very hairy chest, fluffily rising and falling just before the axe falls.”